an old writer and his words

  • CRIME SCENE

    It was far and away the worstcrime scene he could rememberand he had been at it for many years.Over here were the bodiesof anapests and dactylsmotionless where they fell,oh how he wanted to pulla white sheet over themfor his sake if not for theirsfor they were beyond caring.By the wall he saw a trocheehalf draped…

    Lou Faber

  • CAMERA OBSCURED

    People stand in awelooking at what Ansel Adams’camera saw on those magical days.I am an outlier, for althoughI am struck by the beautyHis photographs offer my eyes,the stark play of light and dark,how shadows define a world,that is not what I wishthat I could see, for I wantnothing more than to seewhat Ansel Adams sawwith…

    Lou Faber

  • WAITING SEASON

    He had been standing there for hoursstaring into the heavens, the cloudsa foreboding shroud promising regeneration,promising rain, promising redemption.He said to the heavens, “I loved you once,”and an ominous wind replied, “youloved yourself, nothing else mattered.”He wanted to argue but the wind, too,abandoned him and the smell of lightninghe could not yet see assaulted him.He…

    Lou Faber

  • CONCEIVE OF THIS

    No child, no youthwants to imagine the momentof his or her conception.Now, that is the moment of personhoodin some places, a moment whentwo cells become one and isa life of its own, but it isn’tthe convergence of sperm and ovumwe avoid, but the act leading to it.When you are an adopteeand only later in life…

    Lou Faber

  • TO PROTECT THE INNOCENT

    I am there, a classroom,elementary or middle school,Charleston, West Virginia1930’s, girls in proper skirts,saddle shoes, the old womanat the front of the room,first day of a new year. “Jones”, a hand goes up,“Murphy”, another rises slowly,“Padlibsky, what kindof name is that, Jew, orsome kind or Ruskie maybe?”A small voice answersLithuanian, ma’am. A scene that neverhappened,…

    Lou Faber

  • OBSCENITY

    It was sunrise, he was on the banks of the river, and he knew, in that moment that he would remember the scene, if not the name of the river, or where on its banks he was, that was of no consequence at all, only the beauty. When asked about it, he would say that…

    Lou Faber

  • SCENE 1 (ACT 0)

    First you should draw the scene with as much detail as possible, using the full palette of colors and adding depth and dimension. Next you should write the scene, again with detail, color, depth, for words are capable of all of this. Now compare the scenes, are they the same, and if not, how do…

    Lou Faber