TROTSKY

He slipped the knife quickly
between two ribs as he
was carefully trained,
withdrew it and placed it
inside the raincoat, a bit odd
in the bright sun of Mexico City.

He disappeared into the streets
and later toiled in an endless
series of five year plans,
sharing the small apartment
sharing bread and the lines
always the lines and waiting.

Now in Moscow he remembered
the sidewalk cafes, carefully
marking the older man
in his daily travels, a book
tucked perpetually under his arm.

They talked one afternoon
for hours, even while the doors
were closed, shutters drawn
for siesta, he the acolyte,
the old one the prophet
cast out of his land, a pariah.

Walking across the park
winter grasping his throat
he turned to the men strolling
along behind him and wished them
rotting bread and weak tea.

First published in Eureka Literary Magazine, Vol. 5, No. 2 (1997)

TIDAL SHIFTS

It’s difficult enough, Mom, that I
never got to meet you, to see your face
save in a college yearbook, to have
only a few relatives acknowledge
my existence despite the DNA test
that clearly links us, one to the other.
What makes it more difficult is
trying to figure out my heritage,
my geographic roots before our family
arrived in West Virginia, back
in the old country which for most
was Lithuania, but for some Poland
and still others Russia, as though
their village was loaded onto a horsecart
and dragged around Eastern Europe
always heading to the next pogrom.
Couldn’t our place have settled
on a country, rather than riding the tides
of the insanity the leaders then?

VLADIMIR

Krevchinsky froze
his ass off on the Siberian plain.
The gray concrete box
was traded for concrete gray skies,
the whistle of the truncheon
gives way to winter’s blasts.
It was in many ways easier
when the beatings came
neatly marking the days
dividing days between pain
and exhaustion, all under
the watchful eye
of the meek incandescent sun
dangling from the ceiling.
In the camp day and night
are reflections of an unseen clock,
seasons slide
from discontent to depression.
The prison of the body is finite
built block on block,
the prison of the soul
is vast, empty, dissipating life.


First appeared in HazMat Review, Vol. 1, No. 2 (1996) and later in Legal Studies Forum, Vol. 30, Nos. 1-2 (2006).