PAUSING

As the rivers dry up
and lakes become ponds
we are finding things we
never thought we would see.
An old warship in Europe,
dinosaur footprints, cars
and, sadly, the bones of some.
We stop momentarily to marvel
at these discoveries, then
withdraw to our homes where we
hope we can escape the heat,
our air conditioners working overtime,
the power plants strained.
Yet we never stop to think
that the day may be too soon
coming when it will be
our bones littering the landscape,
victims of our own abuse
of the planet we thought that
we held dominion over.

First published in OUR CHANGING EARTH: Vol.1. The Poet. 2023.

POSER

For unknown reasons I
was told I was going to
sit for a portrait by a well
known local artist.

It was a gift, so I had
little choice but to accept,
and so I sat on a chair
frozen in place.

I asked how long it
would take and he replied
“Not more than four sittings
and then I can go to work.”

I pointed out that like
a Buddhist river, I could
never pose the same way
twice, each time would be different.

He smiled and said
the painting would be
a Post-modernist
so my pose hardly mattered.

SMALL REFLECTION

It is that moment when the moon
is a glaring crescent,
slowly engulfed by
the impending night—
when the few clouds give out
their fading glow
in the jaundiced light
of the sodium arc street lamp.
It nestles the curb—at first a small bird—
when touched, a twisted piece of root.

I want to walk into the weed-strewn
aging cemetery, stand in the shadow
of the expressway, peel
the uncut grass from around her headstone.
I remember
her arthritic hands clutching mine,
in her dark, morgueish apartment, smelling
of vinyl camphor borsht.
I saw her last in a hospital bed
where they catalog and store
those awaiting death, stared
at the well-tubed skeleton
barely indenting starched white sheets.
She smiled wanly and whispershouted
my name—I held my ground
unable to cross the river of years
unwilling to touch
her outstretched hand. She had
no face then, no face now, only
an even fainter smell of age
of camphor of lilac of must.

Next to the polished headstone
lies a small, twisted root.
I wish it were a bird
I could place gently
on the lowest branch of the old maple
that oversees her slow departure.

First published in Rattle #23, Spring 2005

WASHING OUT

I wrote down the biggest
mistakes I made in life
on the backs of newly fallen
maple leaves, and carried them,
a fair number, to the river.

I cast them onto the water,
some quickly swept up,
a few lingering on a fallen
tree partially damming
the flow, waiting for this.

Most disappeared as
the water approached
the falls, cascaded over
on its way to the waiting lake
and then to a place unknown.

This was an act of catharsis,
for the maple, if not for me,
a freedom, not to bear
the burden of impending winter,
frozen still with regrets.

RENTAL

The mountain reaches
up grasping clouds.
The river no longer runs
red down its flanks
now traversed
by a black ribbon
twisting upward.
The Hertz rental
has a warning
taped on the glove box
driving above 5,000 feet
is prohibited, and
at the driver’s risk.
The Minolta sits
in the trunk
as I deny
the siren’s call.

FirstAppeared in Raconteur, Issue 3, January 1996.

SEOUL

The Han river, gray to green
hinting at mud, but roiled
this day, is a keloid scar
across the torso of Seoul,
its suture bridges struggling
to hold the halves together.

Soon it will be dark, the Han
then a no-man’s land, separating
the two Seouls, each certain
it is its own whole, neither
looking north to an always
foreboding step-sibling.

CHŌSHA’S RETURNING TO MOUNTAINS

When you see a mountain
why must you climb it
with your eyes.
When you hear
a mighty river why
must you ford it
with your ears,
when you feel the earth
why must you touch
it with your feet?
Are you
not the mountain
does the river run
through you, as you
run through it, are
you not the earth?

A reflection on Case 16 of the Shobogenzo (Dogen’s True Dharma Eye) koans.

BUCKET LIST

Crossing the Rubicon,
or any other European River
for that matter.

Skiing the backcountry
or Black Diamond at Taos Mountain
or Aspen or Vail.

Hiking to the basecamp
of Everest, or walking some portion
or all of the Appalachian Trail.

Standing shoulder to shoulder
with hundreds of others
at the jazz festival.

Hugging my sons or
kissing my grandchildren
on their birthdays.

Forgetting all that we have
lost and that we have
so far survived this damned pandemic.

NEVER TWICE

Buddhism teaches that you can never step into the same river twice. I have not stepped in a river since I was eleven. That day I stepped, my foot found a momentary purchase on a mossy rock. The outcome was predictable. I slipped, cut my thighs, broke my tibia, bruised my elbow. I did heal, but ever so slowly, and the cast on my leg did get me sympathy. Despite those upsides, I have looked askance at rivers ever since. Ponds are no problem, and I go into my favorite one with regularity. So I will have to take the Buddhist teachers on faith, for if you don’t step in a river the first time, there’s no chance of a repeat performance.