ABRIDGED STORY

On our first visit to Prague
it was almost hard to imagine that this bridge
was built to ferry people and traffic across the River.
Now it is jammed with tourists and those
for whom tourists are a ubiquitous market,
and anyone needing to expeditiously cross
the cranky water that every now and again must
indulge the bridge, or use the less interesting bridges adjacent.
There is a veneer of age about this ancient
the statuary darkened by time and weather
replaced when the waters get truly petulant
and carry off statues they deem an affront.
Motion on the bridge is slow and can tend
toward gridlock, to the joy of those
selling art and tchotchkes, and tchotchke arts
that won’t be truly regretted by the buyer until
it is hung on the wall next to the waterglobe
miniatures of St. Matthias church and
the parliament buildings Budapest.

COUNTING TIME

I was honored to have this recently published in Arena Magazine: A Magazine of Critical Thinking, Issue 162 from Victoria, Australia


This river has
for endless time flowed
from the distant hills
on its winding path
to the waiting sea.
The river has
no need of clocks,
cares little whether
the Sun, Moon or clouds
shimmers on its surface.
The river counts seasons
as passing moments
ever new, ever shifting,
and our lives,
and our dams
are minor diversions.
I sit along the banks
and watch the clouds
flow gently down stream
seeking the solitude
only the ocean will afford.

RIVER

I know I should find a river
and just sit on its banks
and stare at the water flowing

I don’t have to step in it once
to know I couldn’t step in twice
if I wanted, so that problem’s solved.

And with dry feet, I can walk
along its banks with a bit more
jaunt in my step, which should

please the river, for I know that
it has long been watching me
as I frequently visit, and I would

like to think we are old friends,
at least that is what the lake
said during my last visit there.

ALONG THE WAY

They walk slowly, each step
measured as to both length and cadence.
The need not speak, they have
long been synchronous, now cannot
avoid being so without great effort.

They say nothing, words
have grown superfluous,
and would only interrupt
the slow procession
of the clouds, the ducks swimming
against the river’s flow, the birds
playing tag, each
claiming to be it in turn.
Each day they turn together,
at different spots
along the river walk, and
return home, amazed
at all that is different
on the journey back.

OBSCENITY

It was sunrise, he was on the banks
of the river, and he knew, in that moment
that he would remember the scene, if not
the name of the river, or where
on its banks he was, that was
of no consequence at all, only the beauty.
When asked about it, he would say
that it was an obscene beauty, although
he knew people would question how
anything obscene could be beautiful
and anything truly beautiful could be obscene.
He could not hope to explain this,
but it was simply obscenely beautiful,
if only for the few moments it took
the sun to further erupt from the river.
When he would describe it, and they
would engage in a nervous twitter
he would laugh, not a giggle, but
the deep, oblivious laugh of the child.

VINO

The vines cling to the hillside,
the small buds soon yielding fruit
but now simply soaking up the spring sun.
You dream the grapes are fat,
the deep purple orbs holding in their Syrah,
Grenache, Mourvedre, and you only wish
it would wash down the hillside
and stain the sometimes fetid River.
The boats flow up and down river
with a metronomic regularity.
The guides march their charges
along cobbled streets hoping some
will retain the great wisdom they impart,
by long, practiced rote, wishing
for the few euros measure of worth.
Along the seawall in the ancient town
two swans stare at the spectacle parade
and offer blessings to the sky God Cygnus
that they are fortunate enough not to be human.