CARTOGRAPHY

On the map
are neatly etched lines
drawn by a fine stylus
in a skilled hand
separating blue from yellow.
This soil is cinnamon
there tending to mahogany
no line, only a post
here, one there
and a gun emplacement
to deter those
who cannot see
a line writ on water.
In the wind the dust
dances across and back
dodging the post
or caressing it
it tastes the rain
which falls
both here and there.
High above
the buzzard
watches the lizard
scurry through
the shadow of the sign
seeing neither
blue nor yellow.
Halt, you cry
are you
of this land
or that?
I am of neither
I am the ocher
of the land
from which I rose
into which I will recede
I am the mote
of dust
that lodges
in the corner
of your eye
and in the corner
of his
until neither
can see
the line
that is not.


First Publshed in Peacock Journal Anthology, 2017 V. 1 No 2

MORNING SICKNESS

Early this morning
the sky was pregnant
with the rain that would inundate
our afternoon, the sun
a struggling visitor then,
deciding the battle was lost
and sliding away behind the clouds.
It is afternoon now
and our thoughts
of the morning have
been washed away, the plants
no longer thirsty,
risk drowning.
We live in a world
of never enough
and too much,
and we are allowed
to complain about this day,
which is the best reason not to.

LOWERING

When they lowered my grandmother’s casket
into the sodden earth, there wan’t
a dry eye, shoulder or leg, around.
She would’ve laughed aloud,
her children always too busy for a visit
now soaked to the skin
in a cold, windy downpour, all but me,
the one she chose to conduct the service,
the funeral director behind me
with the oversize umbrella, ensuring
the words of prayer and departure
were dry enough to read, washed
only by my tears, held back, unholdable,
the clunk of the first shovel of dirt
on the simple pine box still echoing.

PALETTE

He is for it or he is
against it, and if you could
predict the vacillations you
could develop the means
of measuring the flux of sanity.

You could as easily grasp
the water flowing downriver
and by asking select questions
determine the next heavy rain,

but the odds are good
you will be outside when
the deluge begins, and
only its ultimate weight
and duration remain to be felt.

It all comes down to the same
thing, if you could paint the sky
blue, precisely which shade
of blue would you use and why
that one for heaven’s sake?

NIGHT MOTHER

The night closes in
chasing the sun, dragging
heavily laden clouds that stare
down, watching warily for us
to step outside without glancing skyward.
Clouds of night are particularly jealous,
most often ignored if not
completely forgotten, unsure which
would be worse, ultimately indifferent.
As we begin the walk to the car
the clouds open, a torrential reminder
that Mother Nature
will not be easily ignored.

RIVER CROSSING

We crossed the Hudson this afternoon
on a Dutch named bridge
in a driving rain so strong
you could hear little over the beat
of the wipers throwing sheets of water.
You wondered why the superstructure
was only on the Eastern end.
I wondered why they had to have
a Dutch name no one can translate.
The river’s surprisingly wide here
and you can’t even see the dead fish
or the waste from the plants up river,
its just a silver sheet of water
and the slashing of the wipers
and that name no one can translate.


First appeared in Calliope 21:1, 1997