an old writer and his words

  • BUDDHA HOLDS OUT A FLOWER 無門關 六

    Shakyamuniholds up a fadinglotus flowerand we sit silently awaiting, not knowingpatient, afraid to smileto move, to shift posturemudra one smiles,dharma is transmitted,the kenshoof yellowed teeth. A reflection on Case 5 of the Mumonkan 無門関 (The Gateless Gate Koans)

    Lou Faber

  • JOSHU’S BOWL-WASHING

    When you sit before your teacherhe may ask you a simple question,why, perhaps, your robeis not tied, why, perhaps,your posture is slumping.If you sit and answer,he will dismiss you, butif you stand and tie your robe,sit down in a good posturehe will give you gasshoand send you on your path. A reflection on Case 39…

    Lou Faber

  • YAKUSAN’S DISCOURSE

    When the master takes his seatwhat do you expect of him?Do you watch his postureor how his hands are set.Do you stare at his lipsand what do you hearwhen they move, but no soundcomes from his throat.Listen carefully, for herethe dharma unfoldslike the first chrysanthemum. A reflection on Case 79 of the Shobogenzo (Dogen’s True…

    Lou Faber

  • LA MER

    Next week we will walk along the beach and periodically stare out on the ocean. The waves will wash in and out, and one will look much like the last and the next. If we get out early enough, perhaps we will sit outside a café across the road from the beach and drink our…

    Lou Faber

  • NANSEN’S REJECTIONS 鐵笛倒吹 四十四

      If you come before Master Nansen, will you come holding the posture of a monk or a lay person, and when Nansen turns you away, how will you exit the room? Nested hands and gassho hands – both are so easily manacled – why leave the room at all? A reflection on case 44…

    Lou Faber

  • NANSEN’S REJECTIONS 鐵笛倒吹 四十四

    If you come before Master Nansen will you come holding the posture of a monk or a lay person and when Nansen turns you away how will you exit the room? Nested hands and gassho hands both are so easily manacled, why leave the room at all? A reflection on case 44 of the Iron…

    Lou Faber