an old writer and his words

  • MURDER

    It is one thing to murder your little darlings, as writers like to say, but as a poet it is wholly another thing to murder your children, those you have raised from birth on the page, tended with care hoping they might one day leave home and find their place in the world. How do…

    Lou Faber

  • RULES

    I learned from John Berrymanby way of W.S. Merwin that as a poetI should paper my walls with rejection letters.I thought this a good idea whenI lived in a small apartment, butall too soon the walls appearedto be growing ever smallerand I was papering over paper,like the latest in a too longline of tenants who…

    Lou Faber

  • WHAT ISN’T LEFT BEHIND

    When a poet dies they will be mournedby those who loved them,those who admired them.Obituaries and eulogieswill be offered, tearswill be shed and memorieswill begin to slowly fadeafter the short possiblesale spike has run its course.I am no differentthan all of the other mournersbut I take an extra momentto mourn all of the wordsand the…

    Lou Faber

  • A READING

    He walks up to the podiumsmiling at the introduction he wrotedelivered by someone who likelyhad never read his work, and set his bookand notes down on the lectern.As he begins to read he cannot let onthat he is a magician poet for theywould demand a trick and allthat he is prepared to do this nightis…

    Lou Faber

  • ON OCCASION

    There is a hidden dangerin being a poet that most people,other than fellow poets and some writers,have a problem grasping.Once you let it be knownthat you are a poet eventuallysomeone will ask you to writea poem for a special day or person.When this happens I gently tell themthat I cannot write occasional poetry.Inevitably they ask…

    Lou Faber

  • MANY THINGS

    There are many thingsyou will never hear a poet say: I wanted to write a concrete poembut every time I floated the ideait immediately sank I love occasional poetrybut I never have foundthe occasion to write any It is no wonder so many poetsare starving because allthey write is free verse I thought of writingconfessional…

    Lou Faber

  • PLACE NAME HERE

    Among all of the so-called artswriting does stand alone.How often have you seen arthanging on gallery wallsand look at the card next to itto see what the work is calledand find that all too uniquitous title,UNTITLED, as if the artist’s powerof language escaped into his brushes.And let’s not talk about composer’swhose work is later numberedand…

    Lou Faber

  • THE KEY

    “The key,” he said, “is to imbueyour work with poetic energy.”Those of us still botheringto pay attention at allto that empty husk of a oncewell-regarded, honored poethad no freaking idea whatthe hell he was talking aboutand we guessed he didn’t either.He was an easy A English courseand a few of us imagined ourselvesas successful writers,…

    Lou Faber

  • ON WRITING

    Someone once advised methat I should always writewhat I know, for that givesthe work an honesty that isessential to its believability. I should add that he said itknowing I was a poet,and not to cause me to give upany dreams of fictionI might still have harbored. But as I age, I find thatI seem to…

    Lou Faber

  • EDITOR

    The problem with having someoneedit your writing, particularlyif you are a poet, is thatthe moment they go beyond simplepunctuation or obvious grammarthey are writing their own poemand to some lesser or greater extentthe poem you gave them no longer exists.There may be something to be saidfor allowing that, for when theyreturn their poem and you…

    Lou Faber