WRITTEN ON WATER

Tomorrow this poem will
most assuredly no lnger be here,
though when during the night
it will slip away, never again
to be seen, I don’t know or perhaps it
will return in a form I would not recognize,
re-crafted by the hand of an unseen editor.

It may take on a meaning unfamiliar,
or translate itself into a tongue
that I can neither speak nor read,
or perhaps, most dreadedly, assume
the shape of prose, accreting words
until the embedded thought is bloated
and wholly unrecognizable.

Even if I tried to stop it, watched
carefully, it would no doubt
remind me that poems have a life
of their own once cast to paper
or pixels, and I am at best only
another editor or reader, and it
takes kindly on most days to neither.

AN INKLING

Writing is an art form
that very many never see
but the unseeing of the work
is what elevates it to art.
This is what you often hear
from the unpublished, or even
from the denizens of small
press purgatory, the one
the Vatican will never acknowledge,
for the poets corner of heaven
is so deeply hidden away.
The words on the page
know better, they see the beauty
as they tumble from the pen,
and need no confirmation.

A DIFFERENT WORLD

In a different world,
I would write you stories, poems,
that would bring a tear to your eye,
that would make you laugh even when
your mood would deny joy,
that would bring freedom to some
and loosen the shackles on many,
that would reflect peace,
that would lighten your burden,
that would heal, if only small wounds,
that would recall a better world
and enable its rebirth.
In a different world
I would write you stories,
but we live in this world
and these are the words I have.

ANOTHER GHETTO

She sits
in the bookstore cafe
her head covered
by a linen kerchief
bobby pinned to the
mass of walnut curls.
She cradles the cup
of cooling coffee
and stares down
at the slim book
of Amichai, yielding
to the Hebrew letters
that seem to dance
across the page.
I sit at the adjoining table
with my used
copy of Bialik, translated.
I glance at her
“I’ll miss him”
with a nod to Amichai
then “where are you from?”
She shifts
in her seat, legs
crossing, pulling back
staring over
my shoulder at
the slowly spinning fan,
then at the book.
I look for her eyes
but they dance away,
my hands clasp
and                  unclasp,
fingers drum on the table.
She mutters,
“Atlanta.”
“What part?”
“Warsaw, inside
the walls and wire,
that place
from which so few of us ever
manage to escape.”