Sitting on the fourth shelf
from the top, in the second rank
of bookcases in my office
is a somewhat worn copy
Dylan Thomas is “Portrait
of the Artist as a Young Dog.”
I can’t admit to ever having read it,
or an ability to now recall if I did,
but I know I’ve had several young dogs
in my 66 years, but none
were particularly artistic;
but perhaps I set too high a standard
as they did seem to treat
the white tiles in the foyer
of my parents suburban home
as a canvas on rainy spring days,
very much to my mother’s dismay.


Each morning, as he went out on his walk, he would check the street light pole just down his block. He would carefully read the missing cat and dog posters, pause to think whether he might have seen any of the missing animals. He often wondered how many had been found, the missing notices left to fade in the sun and peel away after enough rain. He knew that some had found new homes, wondered briefly what they might have been escaping, hiding out from their owners. And each morning he scanned the pole to see if anyone had reported him missing, but he was the sort of person no one missed, he knew, and so he continued on his walk.