My back bemoans its age,
knowing the alternative
is far worse, and as
we limp along, we await
the call to attend
the unveiling of the resonance
images which draw us in
and will, in short order
explain everything
if, even, there is no answer
no underlying truth
and certain it will not find
the simple alignment
that eludes us and
we will continue to share
our abiding pain.

THE LADIES

It is an ungainly beast
and its cry, as much a bleat
as a roar, can pierce the air
and is never easily ignored.
There are far larger to be found,
and far more beautiful.
Some have voices that melt anger
incite passion, alleviate pain.
Some sing in a register so low
touch and hearing are merged.
Even this beast has its smaller kin,
gentler, if not ever soothing,
happy to fill a room, not a universe.
But the great beast has
always known its place,
held in the arms of and cradled
informal procession, carried
forward into battle by
the so-called Ladies from Hell.

RETURNING

Time has no role to play in any of this.
Time isn’t pleased by the prospect,
it prefers to be ever present, ever
escaping, even as it is arriving.
It is quirky that way.
It is constant yet it loves
to give the impression of being variable.
Einstein noted this, and anyone
returning from a long drive is
aware the return is always the shorter trip.
Unless, of course, you suffer
from a bad back, then time
really has the last laugh.

AMONG THE MISSING

We can sit for a time, and speak
of our pains, how they cause us
to stop and look inward while the world
proceeds on it’s axis, in a slow march
through time and space, and we
share the anger and anguish
of our too fallible bodies which
time reclaims in slow progression.

We do not pause and cast eyes
on the egrets, heron and ibis returning
for the night as the retreating sun
paints the clouds in colors known
best to flames consuming all,
to wings flapping as perches are
taken adjusted, as conversations
are continued while night settles
slowly over the preserve, the birds
marvel at how we allow ourselves
to be absent from the simple
beauty of the world that surrounds us.

IN TRANSIT

We have decided to skip the viewing
to say our farewells in thought
without needing to see her face
frozen in the morticians best attempt
at placidity, erasing the anger, the fear,
the frustration, the pain that made
leaving easier for her than remaining.
We will say the prayers, most of them,
she with fervent hope that they are heard,
I as a member of the chorus.
Some will invoke both the father and son
and spirits will be moved,
and I will reflect, will listen politely
and hope the universe is receptive
to one who is now in transit.

WITH A CAUSE

She says if you could only
peel back the photograph, you could
read the entire story that lies beneath.
It is deeper than the image below which
it lies trapped, and wider, imbued with a meaning
the image could not capture, just as,
she says frowning, there are no words
for parts of the picture, a symbiosis
that we of unitary senses cannot unite.
This one, pointing to a crucifix, shows him
where he ought to be, the pain, his pain
apparent, but so much deeper than
any image or sculptor’s hand can fashion.
Undeserved pain, not by sacrileges, by rebellion
but he would understand it, he would
revel in it, for he was the greatest rebel
and he would easily peel back the picture
in step wholly into the story beneath.

A PEELING

She says if you could only
peel back the photograph, you could
read the entire story that lies beneath.
Is deeper than the image below which
it lies trapped, and the wider, imbued with a meeting
the image could not capture, just as,
she says frowning, there are no words
for parts of the picture, a symbiosis
that we of unitary senses cannot unite.
This one, pointing to a crucifix, shows him
where he ought to be, the pain, his pain
apparent, but so much deeper than
any image or sculptors hand can fashion.
Undeserved pain, not by sacrileges, by rebellion
but he would understand it, he would
revel in it, for he was the greatest rebel
and he would easily peel back the picture
in step wholly into the story beneath.

WORDS

He is looking for words. There are no words. He feels he needs to say something. There are no words. He feels deep pain. There are no words for his deep pain. Many are speaking. There are no words to speak. Everyone is looking for words. There are no words. Everyone wants to say something. There are no words to say. Everyone fears the silence. There are no words in silence. He accepts the silence. He stops looking for words.

TURNING

He says, “I’ve run out of cheeks,
my own family has used up so many
and there are so few left,
I save them to have one to turn
when someone sincerely and truly atones.”

“I suppose,” she says, “there is
some logic to that.”

“Not at all,” he replies,
“for if someone truly atones,
if the apology is honest and heartfelt
there is no need for a cheek to turn,
the wrong is righted, the wound healed.”

She laughs in agreement, adding,
“You only turn a cheek when
you expect another wound,
and a wise man once said
if they keep hitting you,
get out of the ring.”