BETWEEN

Between now and then,
between yesterday to and today,
between night and day,
between birth and death,
between good and evil,
between heaven and hell,
between light and dark,
between joy and sadness,
our lives occur
and we are so
seldom there
to see it happen,
lost in dreams
of what never will be,
never was.

OBSCURITY

a winter night
clouds digest the moon
cars drive
turning lights out
disappearing
neon signs
stare
beckoning
vacancy
open space
super condensed matter
she moans
I love you
to starched sheets
shrouds
wrap her loins
a cat
scampers
into a bush
dragging
the sun
melting
the highway
electrons
run crashing
into nothing
quantum
leaps


First appeared in Erothanatos, Vol. 3, No. 3, July 2019 at Pg. 43

WRITTEN ON WATER

Tomorrow this poem will
most assuredly no lnger be here,
though when during the night
it will slip away, never again
to be seen, I don’t know or perhaps it
will return in a form I would not recognize,
re-crafted by the hand of an unseen editor.

It may take on a meaning unfamiliar,
or translate itself into a tongue
that I can neither speak nor read,
or perhaps, most dreadedly, assume
the shape of prose, accreting words
until the embedded thought is bloated
and wholly unrecognizable.

Even if I tried to stop it, watched
carefully, it would no doubt
remind me that poems have a life
of their own once cast to paper
or pixels, and I am at best only
another editor or reader, and it
takes kindly on most days to neither.

NIGHT MOTHER

The night closes in
chasing the sun, dragging
heavily laden clouds that stare
down, watching warily for us
to step outside without glancing skyward.
Clouds of night are particularly jealous,
most often ignored if not
completely forgotten, unsure which
would be worse, ultimately indifferent.
As we begin the walk to the car
the clouds open, a torrential reminder
that Mother Nature
will not be easily ignored.

MEMORY OF THE VINE

The conversation flows freely,
piles up on the table, amid
dishes from a meal
now fully consumed, as the
last of the wine reluctantly
cedes its grip on the bottle
and settles into the glasses.
In Abruzzi, the vintner
imagined this, staring
at the grapes pulled lovingly
from the now ancient vines.
As night draws its curtain
ever tighter, as hugs
replace the conversation,
the rest of the grapes
settle in for a final sleep.

SUSIE

What do you say
on the loss of a child?
We sat in the lounge
drinking a vile potion
from a hollowed pineapple
giggling insanely
for no reason.
We wandered the tunnels
faces painted,
clowns in bedlam.
We lay together
on a mattress
on the floor and listened
to Aqualung
my arms around you
both, but sleep
came slowly and we talked
until night ran from
the encroaching sun.
I can feel her soft blond hair
and see her smile
as we walked
hand in hand in hand
along the abandoned
railbed, dreaming
of what might be.
As I struggle with sleep
and with a new day
I can hear the tape end
snapping at the end
of the ever spinning reel
wanting only to hold your hand
and stroke your hair.


First appeared in RE:AL The Journal of Liberal Arts Vol. 23, Issue 2,  1998

EROTHANATOS Vol. 3, No. 3

Just yesterday Erothanatos (from India) released its issue number 3 of volume 3, a collection of poets from several countries.  I was honored to have seven poems appear in this issue and you can find them here:

https://www.erothanatos.com/v3i3n10

But if you don’t have the time, one of the included poems was:

In a Prior Life I Was

Reznikoff, casting words to paper
after the last brief was filed,

Aleichem, finding peace
amidst the hordes,

Red Deer Running, watching
as the horse soldiers drew aim,

a child, never understanding
why the old ones only brought death,

a poor Jew, hung on a hill
from the crossed beams, for believing,

a ram, led from the thicket
to the altar, as the boy was freed,

alone in a hotel room
fearing sleep.