WINDSOR EVENING

I sit in the window
staring out over the rain slicked streets
to the passing of the occasional car
and the three men who glance furtively
at the door of the “Adult Entertainment” club.
The old oak floors are scarred
by too many heels. The railing along the window
is bolted into the floor, suspending
the white lace curtains.
The young woman sits at the next table,
Players cigarette nestled between her fingers,
trying to conceal her anxiety.
She nurses the cup of coffee,
staring at the two menus resting on the table.
She pulls at the hem of her pink ramie sweater
and glances periodically at her watch.
Her leg, encased in stone washed denim
swings like a metronome as she stares
at the Detroit News, not reading.
She lifts her head, and a smile
creeps across her lips as her friend enters,
skirt dripping water, forming a small puddle
on the floor under her chair.
The waitress, robed in a black satin pantsuit
brings the escargot, on their bed
of linguine, and the evening washes on.


First Appeared in Eratica: Half a Bubble Off Plumb, Vol. 4, No. 1, Winter
1999.

CRYPTIC (an acrostic)

God, it was a long night, unending
needs unsated, brought to the edge
man is a cruel beast, half master
as pleading supplicant, half slave
much the child, begging, wanting
as if food or thought would give
man humanity, elevated above
needs, existing outside, independent a
God, ruler of illusion and fantasy.


First Appeared in Aura Literary Arts Review, Vol. 3, No. 2, Summer 1996.

BOOTCAMP

The butterflies came in the night
floating through the barracks window,
mainly monarchs, orange and black
but the occasional yellow, with
more gossamer wings, and the odd white
with small green patches, one to a wing.

There is a corner in my footlocker
that is mine, where I can hide
the tattered book of poems.
A true poet is unafraid to write
an ode in blood, if the situation requires
drawn from her vein
by a needle or the baton
of the security force.

In the river downtown the cup
floats along, carried on the current
into which I cast my dreams
when they no longer serve any purpose.
I can easily aim the rifle
at the silhouette and ease back
on the trigger, but would the child’s skull
explode with the impact of the round
or merely cave inward, collapsing?

I can look into the mirror
in the morning, before first light
and see the shine on my head.
The cancer is advancing, growing
until I no longer have control
and merely respond to its commands
in carefully spit-shined boots
as though anyone would give a damn
waist deep in the fetid water
of the rice paddies.

The heat is unbearable
and you sweat at the thought of motion.
You, forced march from your dreams,
and the butterflies disappear
into the exhausting night.


First Appeared in Blind Man’s Rainbow, Vol. 4, No. 3, February-March, 1993.

SNAKE EYES

They roll in, one after the next,
after the next, gaps that appear
in their rank are soon enough filled.
By night you mark them
by their red lights, lemmings
with no cliff in sight, so they sit
one alongside the next in the queue,
disgorging their chattering, smiling contents
into the vast building, and wait
the prescribed period of time until
they swallow up their contents again,
far lighter in wallet, and leaving
the cacophony of the casino floor behind,
withdraw into the night.

ENVELOPING

The night wraps us
in the faint light
of the glowing moon.
The snow falls, reflected
in the street light’s glow,
and settles on the snow fields
of recent days that obscure
the earth that suffers beneath.
We will flee tomorrow
and leave the snow in our wake,
hoping that on our return
a week hence, some if not all
of it will have washed
into the lake, and we,
having borne the brunt of the sun,
will remember what summer
will eventually offer us.