A CITY LIKE ALMOST ANY OTHER

somewhere within three blocks
of here a limo is disgorging
or swallowing up passengers

a child is dreaming of taking
lessons on a piano or violin
of Carnegie or Alice Tully Halls

a woman is remembering
what the touch of his fingers
felt on her cheek, tracing

her jaw, not shattering it,
a tagger prepares for battle
carefully loading his makeshift

holster after clearing
each nozzle, plotting which walls
will be an evening’s canvas

but across from here there is
the same red brick building
five store fronts, each with

barred doors drawn tight
staring, with no hope of parole
a green grocer, two bananas

rotting on the stoop,
a tailor’s naked mannequin
head turned backwards in shame

a locksmith whose lock
dwarfs the others though
there is nothing within to hide

and two vacant hollow spaces
like eyes of the dead
rheumy, semi-opaque voids

and eight neat rows
of six sooty windows each
behind which others hide

from the anger and fury
they would unleash on the city
if they could overcome their fear.

Published in The Raven’s Perch (August 3, 2020)
https://theravensperch.com/a-city-like-almost-any-other-by-louis-faber/

PRAYER

We bow our heads
and utter words
not to the cicada
speaking through
a spring night
or the beetle
crawling slowly
across the leaf
searching for the edge.
We bid the crow
silent, the cat mewling
his hunger and lust
to crawl under a porch
awaiting morning,
the child to sleep.
The stream flows
slowly by, carrying
a blade of grass
and the early fallen leaf.

Published in The Raven’s Perch (August 3, 2020)
https://theravensperch.com/prayer-by-louis-faber/

SUNDAY NIGHT

It is almost midnight.
If this was Seoul, the Hilton,
I could walk down the hill
to Namdaeman Market
and wander around the shops
the smell of the city, of pigs heads
simmering in giant caldrons,
fish lying on beds of melting ice
and look at silk and stainless
flatware, watches and celendon
casting its faint green glow
in the fluorescent night,
but it is Virginia and there is
only a 7-Eleven four miles
down the road where I can
pick up a Diet Pepsi
and Hostess Blueberry pie
and stand at the counter
where the County Sheriff
stands talking to the owner
while browsing the Penthouse
magazine kept behind the counter
for long spring nights when
there is little traffic along route 7.

First published in The Iconoclast, Vol. 47 (1998)

HAIL AND FAREWELL

On very dreary days
I like to drive through the cemetery
meandering among the stones
until I find a freshly dug grave.
I stop, under the vigilant eye
of the caretaker and carefully place
a cassette of Dvorak’s Slavonic Dances
or Smetana’s Die Moldau into the player.
As the melodies spill forth
I hope they lift the spirit
of the resting, bringing them a moment
of unabashed joy, a memory to carry
into an eternity, a lingering riff, sweet
as the juice of the strawberry trickling
down the chin, a chocolate
slowly melting on the tongue.
Night will come soon enough
bringing a darkness in which they can see
their dreams take form
and seep away to mingle in the void.

First appeared in Aura Literary Arts Review Vol. 26, No. 1 (2000) and reprinted in Legal Studies Forum, Vol 30, Nos. 1-2 (2006)

AGAIN THE DREAM

The dream came to him again last night. He could never be certain if it was on the barren high mesa outside Taos or in the endless sands of Morocco. It really didn’t matter, since the action of the dream took place in a restaurant, and its location was ambiance, although he suspected it did have some deeper psychological meaning. In the dream he was grating cheese, when he awoke, nervous. Try though he knew he wouldn’t slip back into sleep until he determined if he was grating Roquefort or Gorgonzola, and he knew the cows would be soon enough calling him to the barn for the morning milking.

KAFKA

June 13, 1896, Prague
a warm day, old stone schul
you stood before the minyon
wearing the skullcap
repeating ancient words
that lay on paper, rehearsed
sounding false on a tongue
swollen in anxiety.
Your tallit, white
woven with blue threads
hung at your knees
fringe fingered, rolled
and unrolled, twisted
until touched to skin
words inscribed, etched
into collective memory.
Seventeen years later
sitting with Buber
did words come back
and stick on your tongue
and later still
when you studied
under Bentovim, did words
take form, shape, dredging
up a past kept suppressed
walking in desert heat
knowing salvation was
down a hill, entry forbidden.
Lying in your bed
in Hoffman’s Sanitorium,
the trees of Kierling blooming
did you recite Kaddish
as endless night engulfed you.


First published in The Right to Depart, Plain View Press (2008) and reprinted in Legal Studies Forum Vol. 32, No. 1 (2008)

For Something Different, a new bird photo each day, visit my other blog:

Bird-of-the-day.com 

HOLY VISIONS

Night has swallowed the city
and in the laundromat, dryer 42
decries her loose drive belt.
The young girl turns, “can you see it
the Virgin Mary, in the glass porthole”.
No, I think, only white cotton panties
and several pair of jeans
in endless rotation.
“She speaks to me, asking
for my forgiveness for the burden
she has delivered to us
and though I try to give her absolution
she will not listen. Talk to her,
maybe it is a male voice she needs
to ease her mourning.”
I stare fixedly at the washer
as the light for final rinse snaps on,
“she knows you, she is waiting,
so talk into the camera, that one
with the red light, and tell her
that you forgive, as your forgave
the other Mary, who you redeemed.”
The dryer slowly grinds to a halt
and the young girl grimaces,
“she is gone, so perhaps she heard
what I could not, and I thank you”.
She wanders out onto the street
and fades into the shadow
outside the penumbra of the streetlight.


First published in Prairie Winds (1999)

For Something Different, a new bird photo each day, visit my other blog:

Bird-of-the-day.com 

NIGHT

In the end, it always comes down to night,
regardless of the moon, if any, it’s faint light
drowned by the city’s oppressive glow,
headlights, streetlights and once,
spotlights painting the sky, traceable
down to that new place we don’t wish
or can’t afford, would never dare to go.
Death is omnipresent, his shadow is at least,
but at night he has greater freedom of movement
his reaches longer, less random
and we claim not to fear the night, the sun
assumes we mourn  its absence, and this
is true at some level beyond our comprehension,
but it isn’t the dark, that is their origin and
destination, it’s the hour at which we
cede control, and that, like the roller-
coaster in freefall, is what we so deeply fear

REMEMBERING ANOTHER FATHER

It was scrawled on the back of a grocery receipt, barely legible. Charles H. Boustead Tunnel, fryingpan river. The river is lower case, its capitals dangling by serifs in one of the tunnel grates that constricts the water’s flow.

Outside the full moon is ensnared in the gnarled, barren branches of the white birch. She struggles vainly to break free, but the maple wraps its limbs around her. It is only when she retreats into the earth, covers herself over, that the trees cede their grasp.

When Luna curls against you, is she chilled from the night sky, or does she reflect the warmth of the distant star? Does she press against the shredded satin, wrap herself in the fringe of your kittel? And when she tires of you, does she leave by the rotting, split pine boards through which you, bit by bit, return to the soil to nurture her captor?

I stand outside, shivering under a full January moon. Fading impressions of you are shunted into the tunnel of my memory. I never know where or when they will emerge, what they have gathered, what has been lost along the way. I hope for their return, regardless of form. The Boustead Tunnel carries about 54,000 acre feet of water annually from the river to the Turquoise Reservoir.

MINNESOTA

The night fully settles
over northern Minnesota
in the sky grows dark
as the stars make
their reluctant appearance.
Peering through the tall grasses
of the wetlands abutting the road
1000 stars are born
and die in an instant
only to be reborn again
repeatedly, until
they are replaced by
the beetles that accompany
the slowly rising sun.