DISEMBARKING NARITA

You disembark quickly
a small bow to the flight crew,
and walk briskly to immigration.
The young man glances
at your passport and embarkation card
hands flying with the stamps.
The baggage is offloaded
onto the creeping segmented belt
yours the fifth through
the heavy plastic flaps
hefted onto the cart.
The customs agent pauses
as though contemplating a search,
but thinks better of the mess
that is a gaijin’s suitcase
and waives you through.
Cash is exchanged
through the small opening
with a perfunctory bow
and you move through
the silent sliding doors
carried on a wave of memory.
The driver bows
and you slide into traffic
for the slow crawl into Tokyo.
Evening is creeping slowly
over Narita and you
dream only of bed,
and the warmth of her lips
stirring in sleep,
an ocean away.

THROUGH GAIJIN EYES

1.
From the window of the hotel bus
the small, squared fields
are a green that only painters achieve,
deep, intense, unreal.
As the bus inches forward
along the Narita–Tokyo expressway
the green forms neat rows set off
by a shimmer of the gray sky mirror
that bathes the young plants.

2.
Tokyo is a city of great precision
where there are few birds,
and even crows are well mannered.
At Senso-ji Temple, it is left
to the pigeons to give avian life
to a sprawling city.

3.
There are uncountable cars, trucks
in Tokyo, motorcycles
dance among them like small children
grown bored with the wedding dance.
A rainbow of taxis fill the streets,
form unending lines, snake
around the large hotels and office towers.
There are forty taxi companies
in Tokyo, each with its fleet, but all
of the drivers are male.