UNKNOWING

I don’t know what
                                               I am, the Buddha said.

I don’t know why
                                                my mother gave me up at birth
                                                or how many cousins walk
                                                                    the streets of Lisbon
                                                or where I lost my first tooth
I don’t know what
                                                became of the nickel
                                                or why the tooth fairy was so tight
                                                or who will wash the blood
                                                                    from the streets of Basra
I don’t know how
                                                my Walkman eats batteries
                                                                    like Hostess Twinkies
                                                or why fungus grows underground
                                                or why the Somali child stares through
                                                                    starving eyes
I don’t know why
                                                my dough rises, only to fall mockingly,
                                                or why forced to eat matzoh, the Jews
                                                                    didn’t go back to Egypt
                                                or why I poke my sore knee to insure it hurts

I don’t know
                                                my birthright name.


First Appeared in Children, Churches and Daddies, Vol. 141, October 2004.

UNTO TARSHISH

In this place
there is a fatted,
sacrificial silence.
It is the large
Jewish Cemetery
nestling the road
where Maryland
and the District are loosely
stitched together.
It is a small plot
goldenrod dirt
outskirting Lisbon.

This ground is sacred
not for the blessing
of one who
has taken the tallit
of holiness.
The sanctity of this
ground leaches
from the simple pine
boxes that return
with the body
to the soil.

The stones, mostly simple
with neatly incised
Hebrew inscriptions
are all blank
to me, worn
smooth by memory
denied.
I place my ear
carefully to each, wanting
to hear a voice,
a fractured whisper
that will resonate
in the hollow spaces.

I pass by those
with shared names
for if he or she is here
each must share
the isolation
they willed me.
I look
at the faces
of passing mourners —
none resemble
the morning mirror.

I grow tired
of the search, sit
in the paltry shade
of the ricinus plant
knowing we both will
be gone by sundown.


First Appeared in Legal Studies Forum, Vol. 29, No. 1, 2005.

UNTO TARSHISH

In this place
there is a fatted,
sacrificial silence.
It is the large
Jewish Cemetery
nestling the road
where Maryland
and the District are loosely
stitched together.
It is a small plot
goldenrod dirt
outskirting Lisbon.

This ground is sacred
not for the blessing
of one who
has taken the tallit
of holiness.
The sanctity of this
ground leaches
from the simple pine
boxes that return
with the body
to the soil.

The stones, mostly simple
with neatly incised
Hebrew inscriptions
are all blank
to me, worn
smooth by memory
denied.

I place my ear
carefully to each, wanting
to hear a voice,
a fractured whisper
that will resonate
in the hollow spaces.

I pass by those
with shared names
for if he or she is here
each must share
the isolation
they willed me.
I look
at the faces
of passing mourners —
none resemble
the morning mirror.

I grow tired
of the search, sit
in the paltry shade
of the ricinus plant
knowing we both will
be gone by sundown.


First Appeared in Legal Studies Forum, Vol. 29, No. 1, 2005

APPROACHING NOW

I’ll be there soon,
so hang in there just a bit longer.
I do want to meet the beautiful young woman
you mentioned in our calls, or
is there more than one, because
while your vision is supposed to be good,
it seems almost all women younger
than a certain ever-increasing age
are now beautiful to you.
I don’t want to tell you I’m coming,
you’d forget anyway, and it could agitate you,
so I’ll just show up and hope you remember me
or can cover well, and we’ll visit.
I know the week after we see each other
you’ll ask when I’m coming to see you, and
like I have for years, I’ll say, “Soon, dad”
and I know you’ll be smiling in anticipation.

NOM

He is fond of the name Alejandro Carlos
Ernesto Rodrigo Guttierez. The fact is
he loves the name. He knows it has
a certain nobility to it. It embodies and
conveys strength and character. It is a source
of pride and great satisfaction. The name
makes him taller, bolder. There is so much
in a name, that name in particular. “Vinny,”
his mother shouts, “Vincenzo Balducci, come
down here and take the trash out, your
chores come first around here young man.
He is not at all fond of the name Vincenzo.

RAKUSU

The last stitch is sewn,
the loose threads trimmed,
the pincushioned fingers
are swaddled in bandages,
bits of brown thread plucked
from sofa, rug and shirt.
It is done, save for every
other stitch you now
want to pull and resew,
the mocking voice of the needle
convincing you otherwise.
All that is left is the turtle
sewn by another, and the inscription
of a name picked from a short list
that whispered to you
pick me, I’m yours, I’m you.
The robe of liberation is wondrous
but putting aside the pins
and the needle you lovingly
cursed so often is awe-inspiring.