THE WEIGHT OF MOURNING

The weight of mourning defies precise measurement,
and all of the rules of mathematics fail in an attempt.
Grief rejects being placed on scales, there is never
a moment of pure equilibrium, only a teetering
that always threatens to bring it all down in a heap.
A million who are nameless and faceless is an agony
and yet eighty thousand with names on white walls
of the ancient synagogue in Prague seem
to weigh as heavy or heavier on the heart,
and the youngest of those taken are the heaviest
a burden almost too great to bear,
no lighter for our freely flowing tears.
And yet a woman, nameless, faceless
and dead a dozen years, who I knew as my mother
but nothing more, save odd facts that insured
it would be all I would ever know, that woman
was a crushing burden, but one I had to bear alone
and did, if barely, until the moment
when by twist of fate and DNA, she had a name
and soon thereafter a face, and as I stared at her,
as I stared, too, at the mirror, the hole she left,
that emptiness grew vast and heavy, and I
must now struggle not to collapse beneath it.

First appeared in Peacock Journal, February 2017
https://peacockjournal.com/louis-faber-three-poems/

LIFE, ABBREVIATION

Arrival noted, 11:30 P.M.
delivery normal, baby
prepared for agency, mother
released in two days, baby
to foster care, then
to adoptive parents.

No memories, save one,
a fall, bathroom, head
bleeding, black and white
floor tile, radiator harder
than child’s skull.

Now 70, the same person,
a lying mirror each day,
a small cemetery, West
Virginia, a headstone
a mother finally,
a life of mourning.

EXTINCT

You want us to believe
you are small, kind creatures
sucking hungrily on the teat
of democracy.

We see you for who
you really are, parasites
who would suck the teat
dry until democracy
withered and died.

Some believe you,
accept you blindly
but what will they do
if you succeed, for like
any invasive species
when the host is gone
there is only mourning.

DON’T BLAME ME

On the day after I die
there is a real possibility
that the sun will refuse
to rise, an appropriate
effort at mourning
which would be appreciated
if I were only there
to not see it.

So I will just take it
on faith, and as for those
of you who survive me
I will apologize in advance
for your day of darkness,
although we both know
you probably had it coming.

REAR VIEW MIND

I spent too much time looking
backward, looking into the past,
looking into the mirror
to frame a dream history
of my desires and fears.
He called one morning, left
a message, “Mother died,
more details will follow.”
A mother his by birth,
mine by legal act.
I should have felt stunned
anger, I said quietly to myself
he’s cocky, has issues, and went
about momentary mourning.
That is the psyche of the adoptee who
was never family, always an adjunct.
Later my antediluvian dreams
gave way under a torrent
of deoxyribonucleic acid rain.
She who I imagined in the mirror
took name, took shape from
and old yearbook, offered
a history, a family, a heritage.
When I knelt at her grave
she told me her story
in hushed tones, or was it
the breeze in the pines on the hill
overlooking the Kanawha?
I bid her farewell that day,
placed a pebble on her headstone,
stroked the cold marble
and mourned an untouched mother.

AND UNDER THIS ROCK

There is one thing that none
of the books on discovering
who you are when you are
adopted bother to tell you.

If they did, it wouldn’t change
anything, but it is a burden
you assumed you’d easily bear
that grows heavy with time.

What they don’t warn you is
that you will discover yourself,
your heritage that was denied
to you for one engrafted on.

But you will not be prepared
for the hidden tax that is levied
with that knowledge, for your
mourning is too soon doubled.

THE SUN ROSE

The sun rose this morning,
as if the day were not in any
way out of the ordinary, day
number far too large to count
for those with finite capacity.

The birds begin, their harmonious
cacophony, though they think
it their lauds, matins of reflection
burned off with the dew under
the gentle glare of a morning sun.

They watch us begin to stir,
imagine how it must be to live
cocooned in oddly symmetrical
boxes, venturing out but retreating
as though the sky was to be feared.

They do not ask how we could
so easily, remorselessly, lay waste
to our shared home, for they
have moved past mourning,
as we remain mired still in denial.

First appeared in The Poet: A New World, Autumn 2020

A SUDDEN DEPARTURE

You sneaked away one night.
You were there, but while
sleep claimed me, you were gone
without notice or warning.
Where should I look for you?
In these barren hills
where the spirits of the first nations
roam, looking for their ancestral land?

Where should I look for you?
Wandering these verdant fields
where a hundred generations
have been sacrificed
to the will of power mad men
who know no satisfaction?

Where should I look for you?
In these filth ridden streets
and narrow alleys where
the rats scamper in search
of a meal, where a child
at play would be a fine repast?

Where should I look for you?
Across these wind blown sands
where brother has hunted brother
for three generations, each
laying God’s claim
to the birthright of the other
while wives and mothers
wail in mourning?


First published in The Right to Depart, Plainview Press (2008)

BASHO, REDUX

This poem was recently published in the first issue of a new journal, Punt Volat.  You can find it here:

https://puntvolatlit.com/issues/winter-2019


If Basho were here today,
in this America, at this time,

stop briefly and consider what
he might write, how he would

describe the faces of parents
mourning children gunned down

in random urban violence,
the asylum seeker, praying

at the border for entry, for hope,
the homeless woman curled

in a ball in her cardboard home
in an alley no one visits, no one

sees even in the full light of day,
the school children practicing

active shooter drills, while
learning to recite the alphabet.

sitting zazen, I
see one thousand cranes crying.
Their river bathes me.