EVERYTHING IN ITS PLACE

He captured the stray beams of light
in a small amber bottle
and tucked it into a dark corner
of a shelf in his basement.
He canned a small bit of the sky,
sealed it carefully, placing it
in his pantry, for posterity.
He stored his collection of dawns
in and old cedar chest in the attic
amid moth-eaten blankets.
He had a bookshelf
of genomes, arranged alphabetically
next to Mason jars filled
with the ashes of victims
of each of the genocides
of the last five centuries.
It was the Greek amphora
perched on the mantle
that he most prized,
waiting for the day
when he could look
within it
and bid good morning
to his soul.

MORNING SONG (AWDL GYWYDD)

The sun creeps down city streets, 
dew retreats from the grasses
and fills the air, with sweet scent
until spent, the bus passes.

The robin sits in the tree
as worms flee into the lawn.
The morning foretells the rain
that will slowly drain the dawn.

The city quietly wakes
and stretching, shakes off the sleep
it slowly comes back to life,
the sun a knife cutting deep.

HELL, FAR LEFT CORNER

I suspect that I am not alone in wondering
if there is a corner of literary hell set aside
for those who foist clichés on the world
and at the head of that table should sit
the fellow who first said “time marches on.”
Even Einstein realized that time is relative,
and as one who served in the military
I can assure you that time does not march,
does not follow a neat, tidy cadence,
and all to often doesn’t know where it is going.
Time does many things, it can meander
like an early morning walk along the shore,
it can rush forward like the youth
discovering what he is sure is love,
it can even plod, when the pain is growing
and the doctor is ever so slow to respond.
Oh, and sitting next to our marching friend
I nominate the fool who thought that time
might actually fly, maybe hell will be fun for him.

KEMBO’S TRANSMIGRATION 鐵笛倒吹 六十七

 

Awakening in the morning
when you first see the sun
and the dew resting on thee leaf
which eye are you using.
When you stare into the mirror
through what eye do you see,
and what eyes stare back at you.

When you see the deer
lying in the road
which eye do you use.
In a nightmare, when you slip
into the deeper, darker world,
what eye is used then.
When a friend fades into death,
what eye sees his departure.
Think carefully on this
for only one eye can see
the answer lying within.


A reflection on case 67 of The Iron Flute (Tetteki Tōsui)