YUN MAN’S EVERY DAY IS A GOOD DAY

Pause and consider why so many questions
require you, you feel, to consult your watch,
to call up a calendar, to appoint time.
Time has no appointments, time is not
an arrow, though we strive always to aim it,
to send it flying in our desired direction.
Time is a point in space, surrounded by
all ten directions, going toward none of them.
Ask why this moment is not enough, why you need
the next though it does not exist.
What are you trying to escape by searching
for tomorrow, lingering in yesterday?
Yesterday no longer exists, so why
do you assume tomorrow does, and what
of this moment, which exists only now,
and what of the red leaf sitting
in mid-air awaiting your awed attention?

A reflection on Case 6 of the Hekiganroku (Blue Cliff Record)

READY, FIRE, AIM

He should have known
that the day was doomed
from the moment he woke
to see his alarm clock in pieces
on the floor by his bed, the cat
grinning at him from the place
where the clock had always sat.

Finally arriving at the office,
he was no sooner at his desk
when the fire alarm bell rang.
Within moments of reentering
after the all clear, it rang again,
and his own, very private
Chinese fire drill was under way.

The day calmed until, after lunch,
the Regional Manager arrived,
gathered everyone at the great
round conference table, and
demanded to know who
had made a simple error,
and watched as the inevitable
circular firing squad began.

RINZAI’S REAL EYE 鐵笛倒吹 九十語



You say there are
a thousand ways
of seeing this moment
but which is the real way?
I respond there are
a thousand ways
of seeing this moment
but which is the real way?

You may take my place,
you may look
through my eyes,
but you will still
be blind
to this moment
or that.

A reflection on Case 95 of the Iron Flute Koans

DAITSU CHISHO BUDDHA 無門關 九

Twenty thousand generations
a hundred
hundred lives
the briefest moment
in being, there is
no becoming, no leaving

and nothing is attained
for there is no need
of attainment, Seijo
whispered to
no one.

A reflection on Case 9 of the Mumonkan (The Gateless Gate Koans)

POWER

In my dreams, I have
infinte power and a hint
of omniscience one minute
and am impotent, deaf
and dumb the next,
and there is no predicting
which moment will
be which or when
a shift will suddenly happen.

I generally stay out
of trouble, and when disaster
looms, and I am powerless,
I can awaken, reset
the projector and try again,
although I do have
a nagging fear that one night
I won’t be able to awaken
and I will fall fatal
victim to the disaster
offered up by my
own darkest fears

NOT YOU, NOT NOW

The cat ignored him totally this morning. She wouldn’t give him the time of day if she could have told time. It was surprising, and for him it was painful. He loved the cat, and he thought the cat loved him. Once he thought he saw her sneer but he knew cats did not do that. But she looked away, if she had even looked at him in that moment. But to not even acknowledge his presence, to thank him for the food, that hurt. The cat hid her smile, knowing even Pavlov would be pleased with how well her training of the human was going. He would be wrapped around her paw before he knew it at this pace

WHY NOT

Today in odd places,
at the most unexpected moments,
a child will smile without reason,
a young girl will laugh,
the young boy will stroke
the neck of a wandering cat,
and in that place
at that moment
there will be a simple peace.
Only the children will notice this,
though it gives lie to those
who deem peace impossible.
A child knows that it is
only preconceptions
and attachments
that blind adults
to the peace that
surrounds them.

THE POEM

The poem, all too often,
suffers from a solitariness that
borders on despair, alone
in a world that otherwise offers
no peace or quiet contemplaton.

The poem does not wish this,
it prefers to be the center
of attention in the midst
of all that is happening
at any given moment.

The poem never expected
to have to struggle so much
for even the smallest audience,
and knows it will be a battle
holding attention if it finds one.

The poem knows it has much
to say, that it has seen more
than most eyes could appreciate,
but has no voice, and thus
dies its slow death in silence.

PHOTOGRAPH

I saw a picture of you today, although
I can’t be certain when it was taken,
and while I can easily say that you
look exactly as I remember you,
that is saying nothing really,
for moments after I took the picture
we said goodbye to each other,
intending to meet again, knowing
the chances of that were minuscule.

I have returned your picture
to a place of safekeeping where,
some months or years from now,
I will pull it out and remark that
you look exactly as I remember you,
but more importantly, perhaps,
I will be keeping you alive, and
in this fraught world, that is something
to be appreciated, even if you
haven’t the vaguest idea it is happening

Be well dear friend, and if not,
be eternal for a bit longer,
be you dead or much alive.