BROKEN DAY

Morning slowly encroaches
on your dreams, eroding
images despite your tightening grasp.
Clear lines blur, become hazy
and dissipate bleached
by the first light creeping
around the shades.
The dreams do not care
for they will arise again
when they choose
and this is for them
a mere inconvenience.
You are the loser here
for the linear mindstring
once cut never reties
with simplicity and something
is always lost in the tying.

A MOVING MIND 無門關 二十九

Do not be a foolish monk
stare up at the sky
is that could moving?

The leaves dance
on the morning breeze,
is the wind moving?

take a picture of the tree
a moment of time frozen

There is no motion
of the tree, none
of the wind

only the mind moves.


A reflection on Case 29 of the Mumonkan (Gateless Gate Koans)

DRY CREEK 鐵笛倒吹 四十

When you are parched
and come upon a dry creek bed
will you assume there is water
flowing freely beneath
the soil and rocks, and how
will you drink it?

If you give up your thirst
your attachment to life
may wash downstream
and the bitter waters
may run both sweet and deep.
You may bathe in them
alongside old Joshu
without need for drinking.


A reflection on Case 40 of the Iron Flute Koans.

EDISON, GO TO HELL

My mother was a firm believer
In lecturing, offering vast bits
of knowledge, culled from here and there.
One of her favorites was Edison’s
1% inspiration, 99% perspiration,
and she leaned toward quantity,
“It’s all about hard work, go
clean your room, clutter
will get you nowhere.”
Sitting here today amid
what I prefer to think of
as eclectically arranged items
of potentially great importance,
I see her picture, before
the chemo took her bottled red hair
looking disapprovingly at me,
saying, “You are killing your genius,
Edison would agree with me.”
I want to say to her, “But I’m with Einstein
and if a cluttered desk is evidence of
a cluttered mind, why was hers always empty.

SENTENCE

The hardest prison to escape
is the one whose walls are built
by the mind with fear and trepidation.
It is like the open gate you dare
not enter, fearing that you are leaving
and will not be allowed to return.
Atop a pole there are
an infinite number of directions to go
and only one is straight down,
but you dread selecting any, for gravity
is a fear as great his death
yet you know you can feel neither.
The prison of the mind is impregnable
for there, fear and pain live in concert
and you are a small boat
on an angry sea, staring
always at the roiling waves.