He would arrive as I was still struggling
to convince the dog that he didn’t need
to drag me around the neighborhood,
that he knew the backyard well enough.
I’d lose the argument in the end, that
was a given, but he’d concede me
enough time to wolf down breakfast,
and I’d hear the small door in the wall
open and then the clatter of bottles
that the milkman deposited there.
Now it’s paper cartons from the grocery,
the dog and several successors are now
in whatever Valhalla is set aside for canines,
and I suspect I may be getting
lactose intolerant, which has nothing
at all to do with how I now spend
my mornings, with toast and a cortado
on the patio, deep into my New York Times,
trying to remember my long-gone youth.
They ebb and flow
like tides down the half-empty street
from venue to venue,
many with that lost look
of years in the desert, driven
on by promised
the land of honey notes,
the mother’s milk of jazz.
The event passes flap in the breeze
created by their wake, some
checking programs, their
personal map to the festival.
We stand on the corner
watching humanity engage
in the ritual we, after 14 years,
have chosen now only to observe.
He says we are getting to the point
where we can see almost to the edge
of the universe, see the moment
when all that we know was created,
see gravitational waves cast off
by the collision of neutron stars.
She says that is all well and good,
but why can’t he see that he was
supposed to pick up milk and bread
on the way home, and that they
have to be at the school this night
at seven to meet the teachers.
And, she adds, you do realize
that you neutron stars collided
when the first flowering plants
were appearing on Earth, so
in all likelihood, you can’t
even blame the snake for it all.