MARKING TIME

Life Is of limited duration but we
never know what that duration is
until the moment it ends, and then
we have no reason to care.
But as we age and that period
necessarily shrinks, some pause
and wonder what’s left, wonder
what they might have done differently,
where they would be today if they had.
But they don’t stop to consider that
every moment spent in the past
is a moment taken from the present
and stolen from what the future offered.
You want to keep your memories, but
the price of storage is great, so there
is a tenuous balance to maintain.
Still your past is a shadow that
follows you, and the question is
whether you want to spend ever
more precious time looking
over your shoulders rather
than engaging the world around you.

GOOD RIDDANCE

I still marvel at the way
the mind can rewrite
the narrative arc of memories,
taking away sharp edges,
eroding or erasing some
too painful to relive, and
bringing others out
from deep storage, some
largely forgotten, to be
battled with in dreams,
demons wrestled to submission.

In my dreams I have had
a final conversation with
my step-sibling, who
told me of my father’s
death in a text message,
who never delivered my
nominal share of either
parents estate, who made
it clear I did not matter,
and in the dream I
pronounced him
dead to me and buried him
in a place my memory
can and will not visit.

PFFFT

As I age now I am
aware that the tether
to my earliest memories
has grown thin, stretched
by time until I know it will,
of necessity, soon give way.

And so I spend spare
moments trying to sort
through my life as I recall
it, selecting those moments
that bear the effort of retethering
so that time would be better
served weakening others.

But the hidden beauty,
I know, is that when a memory
is gone, has fallen away, it often
takes its shadow along, so there
is no hint even of its prior existence,
and you don’t mourn what
you never had, even if you did.

EIRE

They say you must cherish
your memories lest they slip
away in the night, trying for
a freedom you deny them.

I remember Ireland, knowing
it was home although at the time
I thought I was Ashkenazi
and Portuguese, but my genes
were trying to tell me something.

I remember driving a stick
shift down narrow roads,
always keeping in mind
the advice, “if you hear
the branches of the yellow
gorse against the side
of the car you’re fine, if
you hear the stone of the fences
you’ll have a large bill
when you return the car.

And Guinness on tap, always
Guinness on tap.

LIFE, ABBREVIATION

Arrival noted, 11:30 P.M.
delivery normal, baby
prepared for agency, mother
released in two days, baby
to foster care, then
to adoptive parents.

No memories, save one,
a fall, bathroom, head
bleeding, black and white
floor tile, radiator harder
than child’s skull.

Now 70, the same person,
a lying mirror each day,
a small cemetery, West
Virginia, a headstone
a mother finally,
a life of mourning.

LISA, ONCE

A phone call, a lawyer’s clerk:
Can you tell me about Lisa Landesman?
I pause for that is a name I have
not heard in forty years, save
in a poem I once wrote,
now long forgotten.

She was my sister for two
or three weeks, adopted like I was,
and then Mike, my then father
dropped dead of a massive
heart attack and she was soon gone.

We were Federal adoptions, our
birthplace under Federal law, not
getting its own for two decades,
and her adoption wasn’t final so she
was re-placed and never replaced.

She won’t inherit as I will from
my cousin who died having no
siblings, spouse, children,
nieces or nephews, who left
no will, who left only kind memories.

STET-US QUO

The mind can be
a brutal editor, revising
history, rejecting memories
without a substantial rewrite.

My step sister, many years
dead remains five, that
young face engrafted
on the woman ravaged
by unrelenting cancers.

My first wife of 30 years
is mostly faceless, the
mental pictures and dreams
edited until only she
is unrecognizable.

And in moments of reflection
I am no longer adopted,
the step-siblings were,
but they are now
just like family, almost.

APPROACHING NIGHT

Arising into night
the departing sun
tangos away with its cloud,
memories soon forgotten.

Other dancers take the stage,
now a romance, now
a war dance, feathers raised
in prayer to unseen gods.

Night will soon bring
its curtain across this stage,
the avian casts’ final bows taken
the theater will darken, awaiting
another performance,
a new script tomorrow,
but for this solitary moment
of frozen grace, it is we
who write the conversation,
our lines sung by actors who
know only nature’s
unrelenting song.

First Published in Half Hour to Kill, August 2022
https://halfhourtokill.com/home/approaching-night-by-louis-faber

STRANGE BEAUTY

There is a strange beauty
in the slow loss of sight,
for there is a progressive
transition, a discovery
of much that went unheard,
unfelt, missing in the glare
of the need to see, to categorize
and organize, memories
neatly arranged in an array
of curated visual files.


But without sight what once
was cast aside as noise is
an intricate tapestry of sound
and undistracted, you begin
to see the individual threads
to see deeply into the art
and craft of the unknown weaver.


Without sight, you so often
store images in two dimensions
but now requiring touch,
everything is three dimensional
of necessity and the world is
infinitely more complex
and yes beautiful than you recalled.


And the darkness of night, which
marked a border that dared not
be fully crossed grows meaningless
and hours once lost may again
now demand to be lived.

First published in Bard and Prose, June 2022
https://bardandprose.com/category/poetry/

FORGOTTEN SOULS

From the heart of the inferno
Dante and Lucifer grow bored
waiting, waiting for the ferry
while Charon stops for lunch
yet again at a Greek diner
in the heart of Hell’s Kitchen.
They take up a game of catch
tossing Molotov cocktails,
raining fire onto the brimstone,
setting the Styx ablaze.
Each knows this is not necessary,
for necessity is a creature
of heaven and there is no room
for the extraneous here
in the realm of forgotten souls.
We watch from deep within
a nightmare of our darkest
memories, certain that heaven
must await us, or purgatory
if that is how our fate
is to finally be written.
The angels dance on the ceiling
waiting for the precise moment
to break Morpheus’ grasp
and drag us back to our reality,
to continue our dance
between heaven and hell.

First published in Fresh Words Magazine, Vol. 2, No. 3, June 2022
https://drive.google.com/file/d/1G9eVgBt1ZS1syN9RruNQLzt7-JVq04sY/view