IS THERE AN ECHO IN HERE?

He said to her, “you know
it really irritates me how you
always seem to repeat yourself.
Say it once and that’s enough.”
She paused, thought about his comment,
then said, “You know, despite
what you say, I don’t, I
don’t really, but nuance
is something that always seems
just beyond your comprehension.”
He bristled, “You could be more
subtle, you know, perhaps
it is always on the thin edge
of my comprehension, but gets
pushed way by the repetitive
battering you feel the need
to impart, over and over.”
She smiled, “I doubt it,
I truly and sincerely doubt it.”

TRUE MEANING

The iguana sits in the tree and stares at me. It isn’t clear whether he is daring me to climb the tree, knowing that I like most humans well into middle age are incapable of the task, or merely showing off, appreciative of an audience. A little child walking by points to the iguana, says, “Mommy I’m tired too and want to get ready for my nap like that monster in the tree.” The iguana nods in agreement.

I AM ODOBENUS ROSMARUS, WHO ARE YOU?

From time to time it sneaks back
into my mind, and once there
is so hard to ignore or dislodge.
It begins softly, “I am he,
as you are he, as you are me.”
It grows ever more present, foreground,
“I am the eggman, they are the eggmen,”
and all to soon, I become the walrus,
but only one chorus and then my egg man
is Humpty Dumpty, not he
of the nursery rhyme, but
the wise one who said “when
I use a word it means just
what I wish it to mean,
neither more nor less,”
and I, like Humpty, in that moment
am the master of words,
and the song fades, but now
what is that song you can’t
get out of your own mind?
Oh, well, goo goo g’joob.

WORDS

“Suppose,” he says
“words may be used
only once, after that
they disappear.”
“You mean in a poem”
she replies, “or life itself?”
Even four stanzas
can challenge most
except perhaps Basho.
Haiku would replace sonnets,
villanelles, sestinas
suddenly gone,
anaphora is self-contradiction.
“Imagine,” the young girl mused
“sloganless politicians,
talking heads struck mute,
hushed generals
fighting silent wars,
all poets condemned
to write blank verse.”

CLOCKING

I never expected this, he said. It came from out of nowhere. None of us predicted it. It’s a sort of thing that happens elsewhere, but not here, at least that was our assumption. We certainly never wanted it to come to this. But come it did, and so we accepted it. We learned to like the placidity of its face. We were lost for a while but our lives returned to their normal pace, the rhythms of the day overwhelmed us, and our lives went on. We never bothered to fashion a new year. We were satisfied with perfection twice each day.

CHECKOUT LINE

Time seems frozen in the checkout line
stuck between the Mars bars
and the tabloids, you wonder
how Liz could survive a total body
liposuction, and further details of how
OJ killed in a moment of lust.
The old woman in front rummages
in her change purse certain she has
the eighty-seven cents, the coins
lost in a blue haze reflected off her hair.
Two aisles over the young mother
her jaw clenched in frustration
keeps putting the life savers back
on the shelf as her child, fidgeting
in the cart grabs another roll, until
she shouts and slaps his hand.
His cry draws stares from all and she
stares at the floor as he grabs
a Three Musketeers and Certs.
A man in the express line swears
that the apples were marked 89 cents
and wants to see the manager
who calmly explains that Granny Smiths
are a dollar twenty-nine and only small
Macintoshes are on sale this week.
He puts the bag on the scale
and stalks out of the store.
I would shift to the express lane
but I have 16 items and must
continue to wait and wonder
how many incisions it would take
for a full body liposuction.


First Appeared in Kimera, Vol. 3, No.2, Winter 1998.