an old writer and his words

  • NO HARRY

    There is no Houdini today, nomaster of escapology, only sleightof hand that cannot providea release from our self-made shackles, for we havefailed to learn the secretsthat might have saved us.We were stubborn, figured thatwe could solve the problem later,read a book, looked to a new masterbut those new masters have onlyperfected the art of illusion…

    Lou Faber

  • UMMON’S TWO SICKNESSES

    As you wanderyour path, what is itthat you search for? When you seekinstruction from a masterwhat is it you expecthim to provide you? When you sitstill on the cushionyou may find a momentof kensho, butlabeling that momentdestroys it. Enlightenment cannotbe describedfor attaching wordsbrings it to the groundas rubble aroundyour feet. A reflection on Case 11…

    Lou Faber

  • WORKSHOP

    Grace settles into the chair,less an act of sitting thanof floating down onto the seat.She has borrowed my grandmother’ssmile, kind, gentle, inviting.She pulls a book from her bag,its pages or most of themdog eared, and I glimpsesome annotations in the margins.We sit around her like childrenawaiting presents on a holiday,as acolytes seeking knowledgefrom a font…

    Lou Faber

  • NANSEN CUTS A CAT

    You are a searcher, youlook for answers, you lookfor the right paththat will lead youto enlightenment. You see everythingas black or white, goodor bad, right or wrong.You are a masterat division. Stop searching, stopseeking answers, stopdividing, then sitwith Nansen’s cat.That will be enough. A reflection on case 8 of the Book of Equanimity

    Lou Faber

  • Chu Gives Three Calls 無門關 十七

    Three times the master’s question three times the student’s response each time, the same answer each time the master shrinks as answer surpasses question. There is no master there is no student there is only the lamp in two sets of hands. A reflection on case 11 of the Mumonkan (Gateless Gate) koans.

    Lou Faber

  • YAKUSAN’S DISCOURSE

    When the master takes his seatwhat do you expect of him?Do you watch his postureor how his hands are set.Do you stare at his lipsand what do you hearwhen they move, but no soundcomes from his throat.Listen carefully, for herethe dharma unfoldslike the first chrysanthemum. A reflection on Case 79 of the Shobogenzo (Dogen’s True…

    Lou Faber

  • AMERICAN IDOL

    He was well on his wayto achieving his dreamof being a musical idol. He had long since masteredthe air guitar, could shredwith the best, Hendrix,Clapton, and he had conqueredthe piano fingerings of mostof the Billy Joel Songbook,his paper keyboard worn flat. Clarence Clemons was provinga serious challenge, the air saxwas by reputation the mostdifficult of…

    Lou Faber

  • GYOZAN CAN’T SAY IT

    The true artist,when askedto draw a perfect tree will lead you to the gardenand have you situnder the great maple.The true masterasked to speak of Dharmawill silentlyface the wallin zazen. A reflection on case 118 of the Shobogenzo, Dogen’s True Dharma Eye Koans

    Lou Faber

  • GICHU PREACHES 鐵笛倒吹 語十

    If called before the Masterwill you walk from east to westto the Master’s Smile, or west to east, to a sudden frown.Will you approach the Masterbowing with words of gratitudeonly to receive a blow of the stickor seeking instruction in your failureto an equal blow of the stick. Ponder this carefully:what is the answer?I leave you…

    Lou Faber

  • SEPPO SEES HIS NATURE 鐵笛倒吹 三十四

    Do not imagine yourselfShravaka or Boddhisatvanor ask the Masterif his reflection isthe fullest moon or bright sun. Both stick and slapawaken youand clear your sight. The Master’s eyesare blind to youand your reflectioncan only be seenby looking within. A reflection on case 34 of the Iron Flute Koans.

    Lou Faber