CARTOGRAPHY

On the map
are neatly etched lines
drawn by a fine stylus
in a skilled hand
separating blue from yellow.
This soil is cinnamon
there tending to mahogany
no line, only a post
here, one there
and a gun emplacement
to deter those
who cannot see
a line writ on water.
In the wind the dust
dances across and back
dodging the post
or caressing it
it tastes the rain
which falls
both here and there.
High above
the buzzard
watches the lizard
scurry through
the shadow of the sign
seeing neither
blue nor yellow.
Halt, you cry
are you
of this land
or that?
I am of neither
I am the ocher
of the land
from which I rose
into which I will recede
I am the mote
of dust
that lodges
in the corner
of your eye
and in the corner
of his
until neither
can see
the line
that is not.


First Publshed in Peacock Journal Anthology, 2017 V. 1 No 2

A POINTED REPLY

Between this point and that
lies a vast uncharted space
noted on every cartographers chart.
If you ask how this
could be possible, I reply
it’s like listening to silence
and hearing each sound
deeply embedded in the one
next to it, a glissando of
what exactly? Uncertainty?
That is the whole point
in the final analysis, for
between that point and this one
everything exists in that one place.

DIRECT ROUTE

He would rather be from somewhere.
Where he is or is not going
matters very little to him now,
he will be where he will be, will go
where he needs or wants to go
or is taken, and when there,
that is where he should be, so
being there is no problem.
But until recently he was from
nowhere and that is not
a comfortable place, it is
really no place at all.
Now, at least, he is half
from somewhere certain, and
the other half at least fits
on a small portion of a map
and somewhere, he will gladly
tell you, is so very much
better than nowhere, for somewhere
can be found if you have the right map.

DISCOVERY

In a small storefront, in an older neighborhood of the city, I found it.  Sepia coated with a fine sheen of dust and neglect, it lay on the table amid a stack of others, as though a leaf of phyllo in a poorly made stack fresh from the oven.  I knew it as I looked at it, touched it gently, that it had once held a magic incantation, that if you allowed it, could take you on a static journey where stillness was infinite.  I read it though it was wordless, but clear, it was a map to the country of dreams.  Not mine, I knew. Mine had the mundaneness of Chinese menu ordering, column A, column B, or sorting socks still hot from the dryer.  I saw in it possibilities, where ties and restraints could have no meaning, where crawling and flying were coequal skills and walking was so evolutionarily regressive.  I thought of purchasing it.  The price was certainly reasonable.  I thought of framing it with archival mats, and encasing it in museum glass, hanging it on a wall, or placing it behind the mattress where it might seep through like a ferryman plying the river of night, never quite touching opposing shores.  I left it in the store that day.  I haven’t gone back to see if its patina has grown.  For me it could only be an artifact.  A map is of so little use, if you have no destination.