THE CLASSICS

He says he has always hated classical music,
and would rather listen to nails dragged across a chalkboard.
He has been out of school for many years so I
suspect he no longer realizes what nails
on a chalkboard really sounds like, how even
opera, which I can’t tolerate, would be preferable.
He rattles off a list of composers he despises,
Mozart, Beethoven, Brahms, Mahler, and on
and on the list goes, and I have to conclude
his distaste for the music is sincere and deep.
Still I ask if there is nothing he will accept,
if not like, but which will fall short of detest.
He pauses a minute in thought, then smiles,
and says he does have two guilty pleasures.
He admits he will listen to classical music, but only
as Beethoven did after he went deaf in 1816,
or failing that, he’d welcome John Cage’s 4:33.

SOUL MUSIC

The first time I heard Mozart,
I swore I was in a biblical garden
and I was content to sit and listen for eternity.
The serpent came along, as they do in such gardens,
as I recall, with the face of Beethoven, though now
I am convinced it was just Mahler trying to pass.
I still stop and eat from the fruit of Mozart on occasion,
but once the food was there for the taking, but
now it has to be purchased, and even here
you pay and never know until you bite into it
just how fresh and juicy it might be.
And lately, so much has been overpowering
that I cannot digest it,
and my growing deafness makes
each purchase agonizing, even though
I know if I went without, I
wouldn’t starve, save for my soul.