ON LANDING

They have a youth that you think
should make you envious, poured
into clothing that would be
a second skin, if skin were silk
and polyester, patterned tights
hair ironed straight, colored highlights
and you still recall when this
what a fascinated you, when
you would have found it alluring.
You probe the corners of your memory
knowing the trigger is there, unable
to find it in the vague images of velvet,
flowing and draping, colors more vibrant
in the acid fog, knowing it would all
crash down too soon, that the cocktails they hold
should be cheap jug wine in plastic cups
to prolong the slow descent back
into the real world from which the blotter
paper and cactus provided a welcomed escape.

WALKING

Like the Anasazi’s sudden
departure from his cliff dwelling
I too snuck away, with hardly
any trace from a life no longer
in clear recollection, only faint
images survive, of hours
in the City Lights Bookstore
reading Corso, Ferlinghetti
and Ginsberg, then buying
the slim volume “Gasoline”
not because it was my
greatest desire, but its price.
Now the worn volume sits nestled
between Wilbur and Amichai,
a fond memory, like an afternoon
in the park in Salt Lake City
the tarot spread out before me
whispering their secrets
for the slip of blotter,
the small blue stain
bringing an evening
of color and touch
and that momentary fear
that nothing would again be
as I knew it to be.
The Anasazi knew
the arrow of time had flown,
had passed the four corners
where I lay in the street
another senseless victim
of a senseless war, while Karl
held the placard
demanding peace,
until the police urged us
to move along, and offered
the assistance we
were sworn to reject.
Now the corners seem
older, more tired of the life
that treads on them daily,
on my path to the Federal Courthouse
to argue a motion
where once we spilled
the red paint
the blood of our generation.
Now there is a wall
with their names,
a permanent monument
while we, like our Anasazi
brethren, are
but faint memories.


First Appeared in Ellipsis Literature and Art, Issue 35, 1999.

WALKING

Like the Anasazi’s sudden
departure from his cliff dwelling
I too snuck away, with hardly
any trace from a life no longer
in clear recollection, only faint
images survive, of hours
in the City Lights Bookstore
reading Corso, Ferlinghetti
and Ginsberg, then buying
the slim volume “Gasoline”
not because it was my
greatest desire, but its price.
Now the worn volume sits nestled
between Wilbur and Amichai,
a fond memory, like an afternoon
in the park in Salt Lake City
the tarot spread out before me
whispering their secrets
for the slip of blotter,
the small blue stain
bringing an evening
of color and touch
and that momentary fear
that nothing would again be
as I knew it to be.
The Anasazi knew
the arrow of time had flown,
had passed the four corners
where I lay in the street
another senseless victim
of a senseless war, while Karl
held the placard
demanding peace,
until the police urged us
to move along, and offered
the assistance we
were sworn to reject.
Now the corners seem
older, more tired of the life
that treads on them daily,
on my path to the Federal Courthouse
to argue a motion
where once we spilled
the red paint
the blood of our generation.
Now there is a wall
with their names,
a permanent monument
while we, like our Anasazi
brethren, are
but faint memories.


First Appeared in Ellipsis Literature and Art, Issue 35, 1999.

PREPARE FOR LANDING

And then there is the abyss
where it all comes crashing
back down on you and there is nothing
and no one, and you grasp
and find only yourself at the bottom
and arise, crawl up and out,
and nothing has changed except
the face of one who saw you fall.
You say words meant to calm
either you or the others, but
they sound hollow, all words
have an emptiness in this moment,
and you know it will pass,
and you know it will not pass
nearly soon enough, and you remember
the moments, once, when you
would think that the abyss
the drug created would last
forever and in that moment
you began the slow return.