A WELL REHEARSED SILENCE

Of course there is something I ought
to say, moments like this require it,
it goes without saying, painfully.

I practiced lines for hours, rehearsed
in my dreams for weeks, knew
for years I’d be rendered mute.

My tongue swells, threatening
to escape my mouth or take refuge
deep within my esophagus.

Your silence is only compounding
my anxiety, how can I, a man
of words, be rendered silent

by the thought of speaking to you,
of telling you that I finally now
joyously have what I feared I wouldn’t ever.

A wife and lover deserves
better than this.

LINKAGE

Linking things is a human need,
tenuous forces barely holding
across synapses easily broken
or lost, never to be replaced.

Ithaca is forever joined with
Galway City, and I still have not
figured out how to get the two
people together as together is
obviously what they should be.

She sits at a small table
in the Commons, staring, waiting
perhaps for a writer or lover
who may be both, to come down
from Cornell and join her,
while Oscar waits patiently
on a marble bench, hat by his side,
telling Eduard of the woman
he expects to arrive, trying
to determine how to tell her
that her friendship means
everything, but it can be
nothing more than platonic.

In my world they meet, she
listens, fights back tears
and promises always to be there,
friends frozen in time and bronze.

WRITE ON

The problem with too many
songwriters these days is
that they either pose a question
but demand answers, or only
partially answer their own question,
leaving the listener to guess
at the balance of the answer.

You are atop my list, sadly,
dear Alanis, for when you ask
if it is ironic, for most
of your examples I must
respond that it is not so.

And Paul, nice song, but
would you care to tell us
the other forty-five ways
to leave your lover?

But in the spirit of giving
to Michael Stipe I say
I spoke to Ken and we
agree it is 88.5 MHz.

A SUMMER EVE

I can’t remember what year it was,
or why I was in his apartment, half
sprawled across the sofa, 
my girlfriend sitting with his,
or one of his, he had many,
on the floor, listening to 
Inside Bert Somers, and thinking
that was the last place on earth
I intended to go  that evening.

I recall the wine was good, but
then anything a step up from
Ripple or Boone’s Farm was good,
and the rugs were threadbare.

I was never a fan of Bert, didn’t
know until today that he died
and was buried in Valhalla,
thirty years ago, not long after
my youth did as well, although 
I am here to mourn that at least.

AN AWAKENING

Take one part
Grand Marnier, one
Frangelico, a short cup
of coffee, whipped cream
only if you wish,
curl on the sofa
with your life’s
greatest love
and your first
real, truly your
first Christmas Eve
makes you wonder
why you waited
so long.

First published in The Poet: Christmas (2020 United Kingdom)

ON ARRIVAL

This morning arrived
with a painful slowness, the sloth
of irregular dreams refusing to concede
to the light struggling to creep around
the blinds that hide the oversize windows.

It had been that sort of night,
sleep arriving and departing with
a frustrating lack of constancy, my body
uncertain of its proper placement ,
the mattress offering no easy solutions.

Conceding the failure of the night
to provide shelter to an overactive mind,
I roll to my side, note the response
of sinew and muscles forced
into unaccustomed forms, and reach

out an arm which snakes across
your waist, as I press in more tightly,
squeezing out the last vestiges
of remorse, and I pull you close as you
reach back and stroke my thigh,

and we give ourselves over to a new day.

INTO THE TIDE

The woman at the next table
stares at her fork
with eyes which appear
bottomless pools of sorrow.
She picks at the noodles,
raises and lowers
the glass of wine
without sipping.
She is lost within herself
and even the waiter
approaches with trepidation
for fear of falling in
and drowning
in her sadness.
In her eyes
are pools of cabernet
spilled from glasses
cast aside
by retreating lovers,
the blood of a mother
who died in her birth,
tears of a father
hopelessly alone.
You see him returning
to the table
and a smile of faint hope
crosses her lips,
lingers a moment
and is drawn
into her eyes.
She watches him
finish his wine
and with a nod
of his head, hers,
and she sinks back
deep within herself.


First appeared in Erothanatos,  Vol. 3, No. 3, July 2019 at Pg. 41

DHARMA

In Tibet there are
more than 80 words
to describe states of consciousness,
several words to explain
the sound of prayer flags
rustling in a Himalayan breeze
that reaches up to the crest
of the peaks that lick
at the slowly gathering clouds,
all of these words never uttered.
There are no words in Tibet
to describe the soft brush
of your lips across my cheek,
your hair pressed into my chest.
There are no words in Tibet
to describe the faint bouquet
of soap and morning coffee
as she dries herself slowly
in the mirror that runs along the sinks.
There are no words in Tibet
to describe the sound of her laugh
half giggle as we watch the kitten
roll on her back, paws up
reaching for the mote of dust
dancing on the heat rising
from the fireplace, pressed down
by the lazily spinning ceiling fan.
There are no words in Tibet
to describe her eyes as they dart
after the Monarch that flits above
the deep purple Sedum that stands
in silent prayer to the sun.
There are no words in Tibet
to describe how she cringes
at the sight of the buck
lying alongside the road
eviscerated by the fender
of the car, long gone, his horn
buried in the shallow dirt.
There are no words in Tibet
to describe the ripples of her spine
as I run my finger down her back
while she curls, grasping
at the margins of sleep.
There are no words in Tibet
for all of these, no words
to fill the room, to blanket
the lumpy mattress on which I sit
staring at the blank screen
of the TV, reflecting the neon light
of the 24 hour diner that flashes
through the gauze curtains
of room 4218 of the Hyatt,
merely the echo of another plane
lifting out of the San Jose airport.