DHARMA

In Tibet there are
more than 80 words
to describe states of consciousness,
several words to explain
the sound of prayer flags
rustling in a Himalayan breeze
that reaches up to the crest
of the peaks that lick
at the slowly gathering clouds,
all of these words never uttered.
There are no words in Tibet
to describe the soft brush
of your lips across my cheek,
your hair pressed into my chest.
There are no words in Tibet
to describe the faint bouquet
of soap and morning coffee
as she dries herself slowly
in the mirror that runs along the sinks.
There are no words in Tibet
to describe the sound of her laugh
half giggle as we watch the kitten
roll on her back, paws up
reaching for the mote of dust
dancing on the heat rising
from the fireplace, pressed down
by the lazily spinning ceiling fan.
There are no words in Tibet
to describe her eyes as they dart
after the Monarch that flits above
the deep purple Sedum that stands
in silent prayer to the sun.
There are no words in Tibet
to describe how she cringes
at the sight of the buck
lying alongside the road
eviscerated by the fender
of the car, long gone, his horn
buried in the shallow dirt.
There are no words in Tibet
to describe the ripples of her spine
as I run my finger down her back
while she curls, grasping
at the margins of sleep.
There are no words in Tibet
for all of these, no words
to fill the room, to blanket
the lumpy mattress on which I sit
staring at the blank screen
of the TV, reflecting the neon light
of the 24 hour diner that flashes
through the gauze curtains
of room 4218 of the Hyatt,
merely the echo of another plane
lifting out of the San Jose airport.

ROAD TRIP

Two nights gone
and sleep has come fitfully,
and I stir each time
I reach across the bed
and you aren’t there,
and there is only the faintest
smell of bleach
and cleaning solvent.
I want very much
to dream of you,
to trace your cheek
with dream fingers,
to taste your lips on mine,
to hear the placid rhythm
of your breath,
but there is only
a stack of unused pillows
and the sound of the heater
battling to life.
I dream of you by day,
by night your absence
pulls me from the precipice
of deep sleep and dreams.

 

DISEMBARKING NARITA

You disembark quickly
a small bow to the flight crew,
and walk briskly to immigration.
The young man glances
at your passport and embarkation card
hands flying with the stamps.
The baggage is offloaded
onto the creeping segmented belt
yours the fifth through
the heavy plastic flaps
hefted onto the cart.
The customs agent pauses
as though contemplating a search,
but thinks better of the mess
that is a gaijin’s suitcase
and waives you through.
Cash is exchanged
through the small opening
with a perfunctory bow
and you move through
the silent sliding doors
carried on a wave of memory.
The driver bows
and you slide into traffic
for the slow crawl into Tokyo.
Evening is creeping slowly
over Narita and you
dream only of bed,
and the warmth of her lips
stirring in sleep,
an ocean away.

NIGHT CHANGES

Night alters sound in ways
we can never precisely determine.
It is possible our hearing changes
with the flight of the sun, but
the moon scoffs at this premise.
A train rattling across the landscape
in the heat of day becomes
a musical instrument in the relative
silence of night, playing a melody
that insuates itself into dreams.
Birds raucous by morning
are sirens in the night, drawing you
from sleep onto the rocky shores
of sudden wakefulness, the darkness
a strangely unwelcome companion.
But it is the breathing
of a lover sleeping next to you
that caresses you, and you slide
deeper into Morpheus’ grasp.