HEAVEN CAN WAIT

He said, “I’m looking forward
to heaven for a reason you cannot
begin to imagine, and, not
that I want to rush my arrival.”
She said, “It’s rather audacious
to assume you’ll end up there,
I place the odds as at best at
50-50 and I’m being generous
because I’m still in love with you.”
“But you’ll never guess the reason
so I’ll just have to tell you.
You know how much I love
rich buttery sauces, the more
butter and ] heavy cream the better?
In heaven I can have all I want
without worry about cholesterol
and arteriosclerosis and that would
certainly be heaven to me.”
“You realize,” she replied, “that
there’s a better than even chance
that God as creator of everything
might just be a vegetarian, like
we all were in the garden, so
Just in case, eat your Brussels sprouts.”

OBSCURITY

a winter night
clouds digest the moon
cars drive
turning lights out
disappearing
neon signs
stare
beckoning
vacancy
open space
super condensed matter
she moans
I love you
to starched sheets
shrouds
wrap her loins
a cat
scampers
into a bush
dragging
the sun
melting
the highway
electrons
run crashing
into nothing
quantum
leaps


First appeared in Erothanatos, Vol. 3, No. 3, July 2019 at Pg. 43

TOMORROW

Tomorrow I will lie to him
will tell him when he asks,
at least the first ten times he
he does, that she is doing fine,
that she is a tough old bird,
that she’ll outlive us all,
that she’s a Taurus, the bull
and he will remember the end
of their marriage, the Battle
Royal that was the war of divorce,
and he will smile a bit,
and say, “I miss her,” and I
will agree with him.
I do miss her a bit, but even two
and a half years of death have not grown
the size of my missing appreciably.
We will move on to other topics,
will circle back and rerun the tape
for with him every day is a series
of scenes from Groundhog Day, but
in his world, it never snows.

TOUCH

I would reach out
in touch you
but as it is
my fingers
barely
reach the keyboard.
I would take
your picture
the next time
I see you, but
it would appear
instantly, no waiting
for someone to tell me
as you were merely
a blurred image
appearing days later
pulled from an envelope.
Perhaps I’ll leave
a posting on your
digital wall
and simply hope
you are still alive
somewhere just
out of reach.

DHARMA GATE

He sits, suited in black, with 88
keys at his command, and we fall silent.
He opens the lock of joy,
the lock of sadness,
the lock of elation,
the lock of tears,
the lock of laughter,
the lock of darkness,
the lock of light,
the lock of surprise,
the lock of compassion,
the lock of love,
and we peer through each door,
unable to enter fairly
unable to turn away.
As we walk out, we know
we have tasted Buddha’s promised truth
and we go off in search
63,999 remaining Dharma doors.

GLASS HOUSES

You want to yell at him, tell him
to stop, that it is too soon, that he
is not ready, cannot be, won’t be
for months to come, but you know
he will not listen to you
standing, gesticulating, imagining
a stone in your hand, shattering
the glass walls, the crackling
gaining his full attention
causing him to realize what is
so very obvious to you.
But you cannot do so, wishes aside,
there are no stones to be found
within the house in which you stand
and if there were, there still are
very clear rules against your throwing one.

WHISPERED SONG

“Oh, Woman who walks in beauty like the night
I am a friend who is distant and silent.” — Dineh Wind Prayer

We always sat
on the back bench seat
of the Collins Avenue bus,
stared out the big window,
noses pressed
against the cool glass,
stared at the procession
of stucco hotels,
simple neon signs,
lines of cars and
bathing suits.
My mother working
late into the night and
Beck, eternal friend
who buried her children
only to become a surrogate
mother to an orphaned son.

Beck would stroke
my forehead. At night
when the room was lit
by lightning, she cradled me
shielding my eyes
with sagging breasts
that had nursed three
daughters into womanhood,
later into the grave.

Beck whispered to me
in a mother’s voice —
my mother spoke
in another voice. I
stroked her wattled arms
watching the pouch
of skin swing gently.
Looking at my mother now
it is often Beck’s lips I imagine
kissing my cheek, “Aunt”
Beck, and not my mother
who still casts
disapproving glances
at failed attempts
at machismo, Beck’s
sparse gray hair
that rests on my shoulder.

I was Beck’s last
surviving child
a fourth daughter.
I am the last
to say Kaddish
to remember her
at Yizkor.

In the early morning
mirror, my eyes slowly
ceding sleep, my lover’s
sweat still beaded on
my arm, her taste lingering,
I see my beard fall away,
my skin is smooth, childlike,
my chest hair fades
replaced by nascent breasts,
testicles recede, hair grows
long, auburn, Beck’s face
as it once had been,
as it appeared
in the faded photographs,
stares back at me.

I am mute, wanting
her to draw me against
her shoulder, to make me
again – for a moment –
the fourth daughter
and not the son
she never had.
Next week I will go
to the aging schul,
I will sit among
the women, away
from dovening men, head
covered by the tallit.
I will sing
Kaddish to her.


First Appeared in Vent, Issue 1, 2003.