ON THE SEDGE

My wife pauses by the placard
in the nature preserve and tells me
that what I have been calling grasses
are in fact a sedge known as sawgrass.

She points out the warning that
it’s serrated on the edge and earned
its name from those who grasped
it without knowing or thinking first.

I feign listening bit she knows
my mind is elsewhere, knows I often
depart conversations suddenly
while maintaining a false presence.

She does not know I am 40 years
younger, pouring hydrogen peroxide
on the cut deep into the interossei
muscles when the glove slipped off

and the yucca I was boldly trying
to pull from the dry, stone-like soil
had decided this was the moment
to extract its final revenge.

TOPOLOGY

Between this point and that
lies a vast uncharted space
noted on every cartographers chart.
If you ask how this
could be possible I reply
it’s like listening to silence
and hearing each sound
deeply embedded in the one
next to it, a glissando of
what exactly? Uncertainty?
That is the whole point
in the final analysis, for
between that point and this one
everything exists in one place.