SMALL REFLECTION

It is that moment when the moon
is a glaring crescent,
slowly engulfed by
the impending night—
when the few clouds give out
their fading glow
in the jaundiced light
of the sodium arc street lamp.
It nestles the curb—at first a small bird—
when touched, a twisted piece of root.

I want to walk into the weed-strewn
aging cemetery, stand in the shadow
of the expressway, peel
the uncut grass from around her headstone.
I remember
her arthritic hands clutching mine,
in her dark, morgueish apartment, smelling
of vinyl camphor borsht.
I saw her last in a hospital bed
where they catalog and store
those awaiting death, stared
at the well-tubed skeleton
barely indenting starched white sheets.
She smiled wanly and whispershouted
my name—I held my ground
unable to cross the river of years
unwilling to touch
her outstretched hand. She had
no face then, no face now, only
an even fainter smell of age
of camphor of lilac of must.

Next to the polished headstone
lies a small, twisted root.
I wish it were a bird
I could place gently
on the lowest branch of the old maple
that oversees her slow departure.

First published in Rattle #23, Spring 2005

WHAT WOULD YOU SAY

I am just wondering
what you would say
if you were called
to testify about all
that you had seen,
all that had disgusted you,
all that you condemned
but did and said
nothing while it occurred.
What would you say
if you had no choice
but truth, no shading,
no mincing of words,
just the harsh light
and you in a chair
in an empty room,
a disembodied voice
asking endless questions?
It is best that you
remain silent, say
nothing at all,
for we have already
judged you, and you
know your own guilt.

First appeared in Literary Cocktail Magazine, Fall Issue 2022, Volume I Issue II
https://drive.google.com/file/d/1VEgeWfNp5SFGSm8nW8QegM1WuNUa_s99/view

OLD HOTEL, NARA

Stepping into the hotel, it was like being dropped into a truly alien world. Nothing shiny, no excess of glass and marble. A simple dark wooden reception desk, a clerk in black with a white vest. A bow upon approaching. Your room is simple, no internet, a single light on a small desk. A tatami mat in the corner. A hard wired phone. And you know, in the distance, the Daibutsu awaits you in the morning. Here there is no CNN International, nothing that isn’t Japanese. Your computer is essentially useless, a fax machine in the office for emergencies. And the nearest business center, sorry closed, is in the city. The Internet is coming soon, they promise . But on your morning run, as you catch your breath on the step outside the Todai-ji Daibutsu-den, a deer comes up to you and licks your face and you know this morning Daibutsu is smiling.

HABITS

Tonight’s moon will look
similar to last nights, or so
we assume since the clouds
denied us that view again.

It will be fuller, more plump
less an empty cup, now one
almost full, spilling its light
into the all too dark sky.

If she is hidden again, we
will turn to our imagination,
for the moon is a creature
of habit, having learned from us.

DUSK

There is nothing like, no
words to adequately describe,
that moment when a cloud-
hazed sun lingers wishfully
just above the horizon, grasping
the sky with brilliant talons
of light, fearing becoming
lost in a darkness that will,
on this night of the new moon,
engulf us all in its inky shroud.

We know, or pray, the sun
will return in hours, just
as the sun knows its work
is never done so long as it
has light to give, hoping
that final collapse is eons away.

As it finally settles beyond
sight, we smile, retreat
to the table and consume
our dinner and wine, our
daily companion forgotten
until its dawning return.

HERE-ISH, NOW-ISH

In this moment we, the two of us,
are here in this precise place
and there are an infinite number
of places we might be.
But we want to be here,
just here, nowhere else.
We are aging, but in this moment
we are exactly the right age
and to be younger or older
would do nothing for us.
When I curl against you
as the morning light struggles
to pierce the pulled blinds
and stroke your arm
my fingers are in the only
place my fingers want to be.
Here, now, together.

HE WHO LAUGHS LAST

The moon was kind enough
to linger this morning,
knowing that I wanted
a photograph, and that
I needed sufficient ambient
light to allow me
to fully capture her visage.
Sometimes she rises early
and shows her face
before the sun retreats.
I suppose it may just
be vanity on the moon’s part,
showing off for her brighter
sibling, certain I will never
pause to photograph Sol.
Tomorrow it will be cloudy
most likely, and on that day
the sun will get the last laugh.

SURGERY

Preparing it to undergo
the knife, its core excised,
stem cast aside, sliced
then cut into pieces
I pause to consider that
this pear was once
a blossom, a delicate
white flower, its cranberry
red anthes soon to turn
black, picked carefully,
cradled into a bushel,
by a knowing hand,
washed, and gently
packed for shipment.
For me it was just
plucking it from the bin
at the market, holding
it in the harsh lighting
looking for blemishes,
and then placing it
in the cart, then the bag
hoping it would not
bruise before undergoing
its final surgery.

DEEP

Deep beneath the Arctic ice
the whale songs shimmer
in the harsh light
of a frozen sun.
We strive to hear them,
hear nothing, hear only
our thoughts echoing
through cavernous memories.
With thoughts of what was,
what we wish had been,
we are ambient noise
in a universe which
cradles hope, craves silence.
Dolphins dream of days
when the sea was theirs,
lives lived in a slow paradise
a world the land- bound
would never comprehend
even as they laid waste to it.

First published in Zephyr Review, Issue 1, May 2022
https://zephyrreview.com/issues/