Three hundred fifty
the giant green
Harriet’s Bluff Road
and you cannot
help but wonder
Harriet’s true road
is holding back
from telling you.
Ninety-six years ago today
Women gained the right to vote.
It would be another five
before those who preceded
the lot of us were blessed with citizenship,
the least we could offer, after
our prior gifts of disease,
alcoholism and down sizing.
Who, our forebears must have imagined,
wouldn’t want to live somewhere
they had a reservation in their name
we had given them, their land
taken with their language,
no longer useful in our shared world.
The King of France allowed
only the Jews to be moneylenders,
reserved space in each town for us as well,
for which we are still told
we should be thankful, but
you have no idea how to say so in Navajo.
because I love
of the word
There is probably much that could be said,
a bit less that should be said, but I
I’m not the person to say it, and remain silent.
You are surprised by the silence — it is
not what you expect of me, and that
you find disconcerting and a bit unnerving.
If I asked you what you would have me say,
I doubt you could find anything in particular.
It is more the sound of my voice you expect,
not the words I choose to utter or retain.
It all comes down to words, doesn’t it?
And yet they fail us with such regularity,
we each must wonder why we speak at all.
Reality is clearly something to be avoided
to be dressed up in tattery, tied in ribbons,
perfumed, yet its fetid stench
is always lurking in the background
waiting to pierce your nostrils
in an incautious moment until you retch
and bring up the bile that marks
the darker moments of your life,
the kind that lingers in the throat
which no chocolate can erase.
Reality is often ugly, so we ignore it
or hide it behind masks, or offer it
willingly to others, a gift in surfeit.
It sneaks up on you, and sets its hook
periodically, and thrash as you will
the barb only tears through new flesh,
setting itself deeper, intractable.
You and I are dying, as I write,
as you read, an ugly thought
particularly lying in bed
staring into darkness,
no motion or sound from your spouse,
mate, paramour, friend, significant other
or teddy bear, where God
is too busy to respond at the moment
and sleep is perched in the bleachers,
held back by the usher for want
of a ticket stub, content to watch
the game from afar.
I cast ink to paper, an offer of reality
as though the divorce from the words will erase
the little pains and anguishes of our
ever distancing marriage, while
holding vainly onto the warm and sweet,
the far side of the Mobius of reality
(the skunk is at once ugly and soft and caring).
We write of pain, of ugliness, of anger
at terrible lengths, or weave tapestries
of words to cover the flawed, stained walls
of our minds, like so many happy endings,
requisite in the script. Basho
knew only too well that truth of beauty
should be captured in few syllables.
First appeared in Chaminade Literary Review Vols. 16-17 (1995)
Once upon a time
isn’t such a timeless expression
if you take time to consider
that time doesn’t actually fly
nor does it march on,
and if it is truly on our side
we wouldn’t need to buy it.
I don’t need it to smell the roses
and it doesn’t wait for me,
although I am still human
and just killing it,
neither of us
have time for this.
“Every once in a while,” he says
and the screeching in my head
drowns out what follows. I know
what he means of course, that is
the easy part, but the gulf between
meaning and saying is so broad
I can stop and count the traffic
of ideas floating by, each seeking
its own purchase, each finding none.
It could be worse, I know, he
could have said “each and every
once in a while, and he does that
as well, though not in a while,”
but even the once was enough.
I notice he is gone, and I wonder
how much life flowed by
while I was otherwise engaged.