STATUS OF LIBERTY

Do us a favor
hold back
on your tired, your poor.
We’re no longer real hot
on those yearning to be free.
We left it on the plaque
but no one’s supposed
to read them anyway.
Take the hint,
we closed the Island,
made it a museum
that ought
to tell you something.
Emma’s dead, get it,
and Lazarus, well
just read your Bible.
We closed the sweatshops
and shipped out
all those menial jobs
to Mexico and the Far East
so you’re of little good
to us now.

So stay home
at least until you’re fluent
and can speak at least
one Scandinavian language.

First appeared in 45 Poems of Protest,Eleventh Transmission, 2019
https://waxpoetryart.com/eleventh/2019/faber.html

WRITTEN

It was written for all to see
but went unseen as no one
entered the portal willingly,
never sufficient curiosity
to offset the foreboding.
Everyone knew what it said
but knowing and seeing are
separated by an unbridgeable chasm.
It remained an imposed solitude,
an isolation inherent in location,
implicit in a world spinning
off its moral axis, time extended
and compressed, an irregular pulse.
It was written in a long
forgotten language, a warning
etched into the walls of time
faded from inattention, left
to stare out knowing the outcome
they would never see until it arrived.

THEATER OF THE ABSURD

If Aristophanes were suddenly
to arrive here, he would no doubt
pause, but with the eye he had,
would soon discover such a treasure
trove of material, he could produce
comedies to last several lifetimes.

The problem would be in finding
the right audience, for here we have
little taste and patience for the sort
of comedy at which he was so adept,
and wit in language has long been
forgotten in our blunt, in your face
world of entertainment, and his
natural audience in ancient Greece
would never imagine a world
so badly screwed up that even
Kubrick would be hard pressed
to bring Dr. Strangelove into the present.

WANTING

I wanted to write like Heaney
but of course he got there first
and could do it in two languages,
so that was out of the question.

I tried to write like other
of the greats only to find that
what set them apart from so many
set them rather far apart from me.

So I an left to write as myself,
which I find a bit boring for I
know myself all too well, and anything
I say or write I’ve heard before.

But I suppose you have not
heard it before so unless you are
the one who sneaks into my dreams
before I can capture them,

in which case would you return
the best of them, for in them
I know lies whatever better poems
I have yet to cast to paper.

A SIMPLE TASK

You misunderstand me, he said,
I did not ask you to write a poem
about a flower, anyone can do that,
I asked you to write a poem with a flower.

Do not ask me what the poem
will be about, ask the flower, but
first you must learn to speak
the language of the flowers.

If you find this difficult, consult
the sky, it is fluent in almost all
species of plant life, mother to
them at one time or another.

When you have finished, cast it
to the morning breeze, that
it might find purchase somewhere
and sing its song to a new audience.

ABSURD, FL

The utter and complete absurdity
of living in Florida can
be ever so easily illustrated.

Last evening the neighbor’s
dog decided it needed
to express itself and did so
in clear and loud terms.

The limpkins and gallinules
in the wetland behind
both our homes shouted back
and based on my admittedly
limited vocabulary of bird
there were several four
letter words and at least one
upraised middle claw,
for that language is universal.

And all of this was once
Native American land and I
am certain they would not be
pleased at what we have created
and the birds would agree.

AFOOT, A CITY

As you walk the streets
of a city like New York,
you hear a polyglot of languages,
and closing your eyes you
might have no idea where you were.

Listen carefully, eavesdrop
on conversations, imagine the stories
they are telling, the joys
and heartbreak laid bare before you,
half heard, half filled in
to make the story palatable to you.

Life in the city is life in a wholly
parallel universe, one in which
the characters speak only sound bites
and all meaning is transient
in the ear of the beholder.

LUNA’S SONG

Tonight, when the sun
has finally conceded the day
to its distant but ever larger kin,
the moon will again sing
her ever waning song
hoping we will join
in a chorus we have
so long forgotten,
bound to the earth
in body and in waxing thought.

We will stop and listen
perhaps, over the din
of the city, the traffic,
the animals conversing
with the sky, our thoughts,
but the words will now
be an alien language
for which we have
no dictionary, only
the faint memory
of the place from which
both we and the moon
share cosmic ancestry.

SUBSTITUTE

Language is becoming a poor substitute
although I have no word for what it is
that it is a poor substitute for at present.

I grabbed an organic banana
from the refrigerator this morning
and paused to wonder if there are
inorganic bananas somewhere.

My New York Times, as usual, offered
All The News That Is Fit To Print
but I really want to see the news
that is not fit to print, that’s the good stuff.

At least my yogurt was made, it claims,
from all natural ingredients, for that
did have me worried, I don’t wan to ingest
ingredients that are unnatural.

But my whole wheat bread came
with a stern warning as the lawyers
no doubt demanded, that it
shcockingly enough contained wheat.

IF IT STICKS

It is the Italian season in the southeast. This has nothing to do with the country, its food or language. Well a bit to do with food. It is hurricane season here, and when a storm arises, you can be certain most of us begin to scan the web for information, for weather can quickly become our nightmare. But NOAA and others know we are thristy for information, and perhaps that almost everyone loves Italian food, so they feed us ever changing, ever shifting spaghetti models. Pass the red sauce please.