FESTIVAL

They ebb and flow
like tides down the half-empty street
from venue to venue,
many with that lost look
of years in the desert, driven
on by promised
the land of honey notes,
the mother’s milk of jazz.
The event passes flap in the breeze
created by their wake, some
checking programs, their
personal map to the festival.
We stand on the corner
watching humanity engage
in the ritual we, after 14 years,
have chosen now only to observe.

NAME THAT CLOUD

The weather, he announced
to no one in particular,
ought to be musical or at least
incorporate some jazz.

Spring is bebop, Trane and Parker,
the sudden clash of Blakey
the downpours of Dizzy

and the hint of what’s to come
on the fingers of Monk, and
Kenny and Milt.

Summer brings the slow easing
as early Miles slides in, and we
sink nto Chet and Stan.

Bebop returns as summer fades
but turns harder, with Dexter
Sonny and Benny and we know

that winter approaches, with its
disconcert, the sun an ever
more infrequent visitor,

Ornertte and Pharoah reminding us
that the dark cold was our share
until Sun Ra apears on the horizon.

DHARMA GATE

He sits, suited in black, with 88
keys at his command, and we fall silent.
He opens the lock of joy,
the lock of sadness,
the lock of elation,
the lock of tears,
the lock of laughter,
the lock of darkness,
the lock of light,
the lock of surprise,
the lock of compassion,
the lock of love,
and we peer through each door,
unable to enter fairly
unable to turn away.
As we walk out, we know
we have tasted Buddha’s promised truth
and we go off in search
63,999 remaining Dharma doors.

GOING

Mingus
            twisting 
roiling
                blood of streets
       child’s cry
                        laughter of old men
            s
             w
               o     
                  o
                      p
                          i
                             n
                                    g
            perched
on a spit valve

Kerouac
                        flying
            rainbowed
    rolling slowly
            e  l  e  c  t  r  i  c
                  imbibing Bukowski
       manchild
                           locked
                                                onto a page.

SPACED OUT

I laughed at my parents
when they talked about a typewriter
as something of a marvel
when they were so commonplace.
Of course as a boy, half the fun
of helping my father at work
was knowing the mimeo ink
would stain my fingers purple
for a week and even borax
would only render them lilac.
And the wet process copier
with the pink tissue paper sheets
seemed utterly remarkable.
10 rem Then I found the computer
20 rem and I could make a machine
30 rem actually do my will
return without gosub.
Now it seems so archaic as I look
back at my own life
all the while transferring
180 jazz albums
to the thumb drive
I will put in the car.
What would Stanley Turrentine
have thought of all this.

GALLERY (IN) CONCERT

Kandinsky, Braque, Matisse and Degas
all stand patiently in the hall
wondering if anyone, this night,
will notice them as they always
seem to do, while Motherwell and Pollack
lurk around the corner, feigning
indifference, dreading being ignored.
The sound check is long ago complete
and the three men sit in the cafe
lost in the crowd, sipping wine,
a beer, a soda as the last of the meals
are consumed and people file out
and up the stairs to the auditorium.
Picasso stares up in wonder
as the piano comes to life,
carrying us all on a wave
that undulates across the strings.
The bassist crosses the bridge,
darts back, and we stare slack-jawed
as his fingers defy our eyes
and expectations. The drummer
brushes off our questions and solos,
content to carry the music
lightly in his hands as Calder
is left to twist gently in the breeze.