TOUCH

I would reach out
in touch you
but as it is
my fingers
barely
reach the keyboard.
I would take
your picture
the next time
I see you, but
it would appear
instantly, no waiting
for someone to tell me
as you were merely
a blurred image
appearing days later
pulled from an envelope.
Perhaps I’ll leave
a posting on your
digital wall
and simply hope
you are still alive
somewhere just
out of reach.

WITH A CAUSE

She says if you could only
peel back the photograph, you could
read the entire story that lies beneath.
It is deeper than the image below which
it lies trapped, and wider, imbued with a meaning
the image could not capture, just as,
she says frowning, there are no words
for parts of the picture, a symbiosis
that we of unitary senses cannot unite.
This one, pointing to a crucifix, shows him
where he ought to be, the pain, his pain
apparent, but so much deeper than
any image or sculptor’s hand can fashion.
Undeserved pain, not by sacrileges, by rebellion
but he would understand it, he would
revel in it, for he was the greatest rebel
and he would easily peel back the picture
in step wholly into the story beneath.

ETERNITY OR A WEEK

He only wants to live
forever, or if not, at least
until a week from Thursday.
Important things always happen
on Wednesdays, he is convinced.
He has no logical reason
for his belief, but it is his
and he will not be shaken from it.
“It is a matter of faith,” he says
“and you can borrow it or leave it,
but it’s mine.” He does like
to own things, and ideas are
the greatest things in his world.
He is certain he will die
on a Wednesday, not that his death
will be all that important, though
he wouldn’t mind it so,
but he wants to be cremated,
wants some of his ashes left
in a church, any church, just
to let them know we are all
created in God’s image
and this Wednesday will
for him, Ash Wednesday.

COSHAN’S DHARMAKAYA

He spends considerable time
looking in the mirror
trying hard to see what is there,
to see inside himself, to truly
see himself as he imagines others see him.
The mirror denies him a static image,
it is always shifting, and try
though he might to grasp one single image
he finds it impossible and always
gives up in frustration. Still
he tries again the next day,
and the next after that, never
attaining his desired objective.
Ask yourself, what is his failure?
If he would become the mirror,
then, and only then, he might see himself,
rather than a mere image on glass.


A reflection on case 125 of the Shobogenzo (True Dharma Eye)

WWJD?

He walks into the room
hoping he won’t be seen
and if seen, won’t be recognized.
Not many know him,
none, he is certain, truly
know him, merely his image
and the idea they have of him.
It has been this way
for centuries, and he can barely
recall the acts done, the words
spoken in his name.
He has been here forever
but they wait, patiently,
expecting a return
he cannot make until
they let go of their dreams
and see the reality of him.

DONGSHAN’S ILLNESS

When someone says you are
not looking at all well,
who is it that is ailing?
When that person says you
looked better the last time
he saw you, which you did he see?
If you look in the mirror
do you see someone looking ill,
and if you do, who is that person,
for you are the one looking
and not the one looked at.


A reflection on case 98 of the Hekiganroku, True Dharma Eye

MIRRORED

It isn’t the seeing of something
that matters, for what is seen
was there to be seen so seeing
is just its natural consequence.
It is only when you label it, give
it a name that it ceases to exist,
for you at least, for at that moment
what exists is the label and no longer
the thing that was labeled, so
language always keeps us
from experiencing life, renders us
observers of the things we
no longer co-experience.
It is much like looking in the mirror
and imagining you see yourself
when all you see is the polished
surface of the glass, and while
you may be many things, we
are reasonably certain that
reflective glass was never one of them.