an old writer and his words

  • SCENE 1 (ACT 0)

    First you should draw the scene with as much detail as possible, using the full palette of colors and adding depth and dimension. Next you should write the scene, again with detail, color, depth, for words are capable of all of this. Now compare the scenes, are they the same, and if not, how do…

    Lou Faber

  • AROUND IT

    It is remarkably simple, really, a single circular brush stroke in a monochrome black on rice paper, always nearly perfectly round, never is the circle complete, always some small thing left wanting. You stare at it, more at the small gap, imagining it filled, hoping it cannot be for it holds out the promise that…

    Lou Faber

  • TRICKSTER

    He imagines what it might be like to come down out of the foothills and roam the mesa, unseen unless he wishes, a complete freedom. And even if he chooses to be seen, he can take whatever shape he wishes, and they would see him only as he chose, for only as long as he…

    Lou Faber

  • ENTER EXITS

    He says doors and windows are to enable us to come within, to be safe from all that is outside, to make this space a sanctuary. She says windows and doors are to allow us to merge with the sky, taste the river, and sing songs taught us by the moon. The doors and windows…

    Lou Faber