CUBIC

In the center of every city
there ought to be a park,
an expanse of green, trees
older than the first European to arrive,
so old they need not feign indifference
to the humans who have invaded
and refused to leave despite the mother (nature)’s
request that they do so immediately.
Some cities comply, but only partially
for they place the parks on the periphery
and save their core for the tall buildings,
stacked cubes chock-full of small cubes,
little boxes and to which people go each day
before returning to their own boxes, large
enough and sometimes ghastly large
that surround the city. This is where
the city knows the Park should be, and if people
don’t like it, the city doesn’t really care.

ARF

Sitting on the fourth shelf
from the top, in the second rank
of bookcases in my office
is a somewhat worn copy
Dylan Thomas is “Portrait
of the Artist as a Young Dog.”
I can’t admit to ever having read it,
or an ability to now recall if I did,
but I know I’ve had several young dogs
in my 66 years, but none
were particularly artistic;
but perhaps I set too high a standard
as they did seem to treat
the white tiles in the foyer
of my parents suburban home
as a canvas on rainy spring days,
very much to my mother’s dismay.

APPARITION

In the night
what I am perched
on the edge of sleep
you appear, just
out of the dream shadows,
avoiding the light,
you are featureless.
I call to you and I think
you must be smiling
but your voice is the wind
through the Austrian pines
and the drip from the ever
shrinking icicles
that slowly abandon
the eaves of the house.

ERATO PREFERS LATTE

My muse sits quietly
on the shelf over the counter
in the Café Espresso
at Barnes and Noble

nestled between 12 ounce bags
of Colombian Supremo and Kenya AA,
in the shadow of the plant
whose leaves reach out
to caress her cheek.
She whispers to me
between notes from the guitarist
performing on the edge
of the Music Department
hawking his new CD
to an audience there more
for the coffee and tea.
The philodendron scandens
nods approvingly
as I carefully tuck her
into the pouch
of my fleece jacket
for the long drive home.

COCOON

She imagines life
is much like a cocoon
in which she must remain
or risk instant death.
She does not recall coming here
but know she must have done so
in the not too distant past.
That is the problem with cocoons,
there is no memory prior
to finding yourself within,
but she doesn’t mind
for she has grown accustomed
to this life, likes that shelter
her home affords her.
She is certain she
will emerge some day, when
the time is right,
and she will take flight
leaving this life behind
in the receding darkness.

PRECISELY

 

On the radio this morning
the DJ played the classic
“In the Midnight Hour,” and I
pause to reflect on the fact
that midnight is a moment
and cannot be an hour,
by definition, since the halfway
is only a point, not a range,
and you cannot put
a home on an hour, for time
waits for no man, and waiting
is what a home
is all about, and around.