BECAUSE

“Poets are the unacknowledged legislators of the world.”-Shelley

I write
                                                                    because words must be said
words must be said
                                                                    because they eat at my tongue
they eat at my tongue
                                                                    because they recall the flames of the ovens
they recall the flames of the ovens
                                                                    because they were forced to shower
they were forced to shower
                                                                    because they were Jews
they were Jews
                                                                    because they embraced Torah
they embraced Torah
                                                                    because they walked through the desert
they walked through the desert
                                                                    because they followed the trail of manna
they followed the trail of manna
                                                                    because it led to freedom
it led to freedom
                                                                    because I saw it in a dream
I saw it in a dream
                                                                    because a voice whispered it to me
a voice whispered it to me
                                                                    because I write

HOLOCAUST

Years later on, having walked
calmly away from my former faith,
I am left still pondering
where you find the words
to describe, to teach the unspeakable,
and how you use them to reach
children who have no right to know
the unspeakable, but who must,
lest they later speak it.
It was a generation ago for me, two
for them, three now for my own
grandchildren but the losses
they know are staggering: Las Vegas,
9/11, Manchester, Sandy Hook,
and on and on and on and on
and how do you help them grasp
the number six million, 10 million, when
they have but ten fingers,
shielding their eyes from the horror.

THE WATCHER

He stands transfixed
on the bridge,
arms outstretched,
staring at the river
always flowing slowly by below.
He wears a garland of gold,
an inscription in Hebrew,
the holiest of holies,
mocking those
who hold him a man.
Did he peer out
of the corner of his eyes
as they marched them
across the bridge
to the trains
to the camps
from which they
would never return,
never have headstones
in small, ghetto cemeteries,
would be merely names
on a wall of remembrance?
What did he want to say,
what would they not hear,
for surely
he must have known,
in the way a son
knows so much more
than a father imagines.
They are gone,
he remains, forced
to be ever silent,
and the river flows
under the bridge
beneath his ever constant,
mournful gaze.