The evening slowly enters Warsaw — along Aleje Solidarnosci a lumbering truck backfires — some old ones cringe — thoughts collapsing — into rail cars — lightening bolts on stiff black wool uniforms — polished jackboots — a wrought iron gate — Arbeit Macht Frei
The evening slowly enters Warsaw along Aleje Solidarnosci a truck backfires a sudden flock of sierpowka Eurasian Collared Doves rises gracefully from the trees each carrying another lost in the ghetto ’43 in the revolt ’44
Night settles on Warsaw – there is solitude
First appeared in Pitkin in Progress, Vol. 3, No. 1 (2002)
For eight days each December they call out to me as the flame of the candles flickers out, “Remember me” they say in unison, “remember me”, in the voice of the child, an old woman, in Yiddish, in Polish, German, Czech, Latt. I want to remember but I cannot see a face reduced to ash, blended into the earth of a farm field outside Treblinka, the winter wheat remembers. I want to remember but I cannot stroke the head of a young man whose bones mingle with his brother’s, countless others sharing a mass grave, his skull and brains painting the trunks of a nearby stand of trees. I want to remember but cannot hear the sweet tenor of the cantor whose tongue was torn from his mouth for refusing to speak of the tunnels beneath his once beloved Warsaw. I want to remember the lavender scent of the young woman, fresh from the showers but there is only the stench of putrid flesh and Zyklon, of bodies crammed into the converted boxcar. I want to remember the taste of a warm challah on Shabbat eve that she lovingly shaped into a braid and pulled from the oven, but her arms were neatly removed by the surgeon before she was cast naked into the Polish winter. I want to remember them all, their names in a memorial but they are only numbers tattooed onto endless arms. The candles die and their voices fall silent for yet another year.
First Appeared in Rattle, Issue 7, Summer 1997. Reprinted in Legal Studies Forum, Vol. 29, No. 1, 2005.
Once it was fur hats men on horseback swords and torches our villages casting a faint glow falling into dying embers, here, one whose skull bears the mark of the hoof, there an old one who would go no farther.
Once it was a helmet tanks for horses flames contained in crematoria cities taken for the deserving we, merely ashes shoveled into a pit, here a tooth, its gold torn free and cataloged first the old ones who could go no farther.
And so we have learned, we in our kippot we in our planes and if you do not hear we will give you the holy fires of God you and your villages a faint shadow and so much vapor, so much ash carried on his holy breath for we have learned well and we have fused these words in our minds, never again.
First published in The Right to Depart, Plain View Press (2008)
We set out with bold ambition, egos saddled and reined across a landscape left barren by our leaders who saw only carefully stacked boards and beams awaiting the master carpenter, great floral sprays dotting the lobbies of glass and chrome edifices, created in their own images. We ride in search of the promised land, and turn a deaf ear to the windwalkers, to the spirits of the children sitting in the packed dirt streets their bellies distended, crying out for food, for justice as the warlords sit in their cars surveying the invisible parapets of their armed fortresses. We look quickly away from the chindi of the young men who rise from the neatly heaped soil of the common burial mound, who rise up in neat array and perch on the edge of the freshly dug pit waiting for the rat-a-tat rain of death they know await them unrepentant, unwilling to curse Allah, bidding farewell to Tuzla. We pause to chant the blessing way but we have forgotten the words, Arbeit Macht Frei, the gates reduced to rust, the chimneys no longer belching the sweet smell of death into the winter morning. We ride on oblivious to the faint glow from the craters we have torn into the earth, of the clouds that only vaguely recall the mushrooms of our progress. We ride toward the horizon where the great pillars of gold and silver rise up, glinting in the sun that once warmed them before we cast them out into the desert of our lust and craving. We set out with bold ambition but our horses have grown tired, our canteens are empty and the inferno threatens to consume us.
First Appeared in Alchemy, Issue 2, Fall-Winter 1999.
Third grade, religious school kikes, us, then a backhand raised, drawn, quickly dropped, below a reddened face, sleeve pulled up 145233 in black between elbow and wrist and a tear, perched fearing to fall. Never again, and nothing more, later, same arm ruffling hair, smoke clinging to aging skin, no older when he walked in her arms into infernos then smoke rising slowly as he labored, no more free than on cattlecars shivering in winter. No hell to come, never again, not Juden. Mahogany doors opened on oiled hinges ancient scroll to be touched, here is you, me, us, always on Massada, in Vilnius. Never again kikes, dying only once.
First published in SNReview Vol. 9, No. 2 (2007)
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One of these days soon the sun will again get angry, will blow off steam and all manner of signals will get the message loud if not clearly. The sun can get away with it and we accept it, if not willingly but begrudgingly. When we blow off such steam cities melt, and the angry one is condemned for crimes against humanity or avoiding greater loss. In the final analysis, however, it is probably better to simply be a star where fits of pique are expected and tolerated.
Years later on, having walked calmly away from my former faith, I am left still pondering where you find the words to describe, to teach the unspeakable, and how you use them to reach children who have no right to know the unspeakable, but who must, lest they later speak it. It was a generation ago for me, two for them, three now for my own grandchildren but the losses they know are staggering: Las Vegas, 9/11, Manchester, Sandy Hook, and on and on and on and on and how do you help them grasp the number six million, 10 million, when they have but ten fingers, shielding their eyes from the horror.