an old writer and his words

  • CRIME SCENE

    It was far and away the worstcrime scene he could rememberand he had been at it for many years.Over here were the bodiesof anapests and dactylsmotionless where they fell,oh how he wanted to pulla white sheet over themfor his sake if not for theirsfor they were beyond caring.By the wall he saw a trocheehalf draped…

    Lou Faber

  • UNDERWOOD

    When I stood in Hemingway’s studyin Key West, I was certain thatthe old Underwood portable probably hadat least one if not moregreat novels in it, and Iwould gladly be the one to unburden it.Then I paused to wonderwouldn’t Ernest have taken hisUnderwood portable with himto Ketchum, Idaho, and how couldMary be sure none of his…

    Lou Faber

  • AUTHORSHIP

    If birds could write, which birdwould write like which author.The Osprey would clearly be Hemingwayknowing the sea, but with no need for an old man.The common Gallinule might becomeBilly Collins, an easy laugh and always entertaining.The crows could be so many writersattending workshops, all still lookingfor a voice to express themselves withoutcausing their audience to…

    Lou Faber

  • THE WRITER STUMBLES

    Each yearin Pamplonathe bulls begintheir slow descentdown the narrow streetsgaining speednostrils flaringmuscle and sinews tautthey forge aheada white wavepreceding themin their mad dashand each yearthere is one,some years twowho, by slip of footor lapse of judgmentmeet the hornsof the lead bullwho in disgustsnorts“this oneis noHemingway.” First published in Defenestration ,Vol XVI Issue 2 August 2019

    Lou Faber

  • CAT PEOPLE

    We spent one morningof our visit to Key West wanderingaround Hemingway’s home. The six-toed cats seemed to realizethat we were cat people, cameover to us, took us asidefor a petting and conversation. He was a tough old goat,they said, or so our ancestorstold itm and we cannot beginto understand why you,cat people, so obviously intelligentwould…

    Lou Faber