ONE FLAVOR ZEN

How far must you wander
to taste the pure essence,
hear the pure note,
see deeply into beauty,
smell the first flower of spring,
touch another heart.
Will you grow tired
from standing still
in total silence
contemplating this?

A reflection on Case 65 of Dogen’s Shobogenzo Koans (Trud Dharma Eye)

A PRAYER

Last night, as I sat poised
on the edge of sleep, I asked
God for continued blessings,
for I have been blessed more
than I likely deserve.

I heard Her reply that I
would always have Her love,
on earth and heaven, and I
knew my request, selfish
for certain, had been answered.

But now I wonder if it was
truly She or your voice I heard
in that moment, but I know
which voice would not matter
for you are the blessing I sought.

CROWING

Imagine, for just a moment,
you have become a crow.
You know that you will be
detested by most eventually,
your voice despised by all
who are forced to hear it.
And while you can fly, you
know you won’t be more
welcome regardless of where
you choose to land.

If you cannot imagine this,
then imagine you have
become a politician,
for that will, for you, prove
to be much the same
as crowhood, the biggest
difference being your new
need to grovel before all,
because the loss of that job
would be an unbearable state.

UNGAN’s NOT ANY SINGLE WORD

The youngest child,
her mind uncluttered,
can answer any question
unburdened by words,
her answers rebound
across the universe.
If you stop struggling
to hear her, let
the silence surround
you both, you cannot
escape the answers

A reflection on case 84 of Dogen’s Shobogenzo Koans (True Dharma Eye)

HOFUKU’s BLOCKING OF THE EYES

Do not pity the blind man
for he can see much,
and do not be sad for the deaf
for they can hear you.
Your eyes see nothing
your ears do not
discern the quietest sound.
Rest your mind and taste
the peace of blindness
and silence.

A reflection on Case 113 of Dogen’s Shobogenzo (True Dharma Eye) Koans

CHŌSHA’S RETURNING TO MOUNTAINS

When you see a mountain
why must you climb it
with your eyes.
When you hear
a mighty river why
must you ford it
with your ears,
when you feel the earth
why must you touch
it with your feet?
Are you
not the mountain
does the river run
through you, as you
run through it, are
you not the earth?

A reflection on Case 16 of the Shobogenzo (Dogen’s True Dharma Eye) koans.

YAKUSAN’S DISCOURSE

When the master takes his seat
what do you expect of him?
Do you watch his posture
or how his hands are set.
Do you stare at his lips
and what do you hear
when they move, but no sound
comes from his throat.
Listen carefully, for here
the dharma unfolds
like the first chrysanthemum.

A reflection on Case 79 of the Shobogenzo (Dogen’s True Dharma Eye)

A LITTLE DRUMMER

It seems less than fair that as a child
I was Jewish to the core, adopted, yes,
but certainly fully Jewish and not merely
by maternal lineage which would suffice.

Christmas was alien to me then, even
when I left Judaism behind, a shadow
that would follow me closely into
my Buddhist practice and life.

But DNA made a liar of so many,
my birth mother, the adoption agency
and my adoptive parents, for I know
my Judaism was only half of me.

So now I can enjoy Christmas
and other holidays, listen anew
to “The Little Drummer Boy”
and relish the irony of my new life.

For I have aged, as has my wife,
and when they sing “Do you hear
what I hear?” she sadly says
“not any longer I don’t” and then,

“Do you see what I see?” and I
must admit I do so only barely
and the doctors assure me that
soon enough I may say no as well.

RECITAL

The keys didn’t frighten me. 88 of them, but I’d never use the majority, probably. And the ones I knew were generally well behaved, although they did defy me from time to time, and then said it was my fault, they didn’t respond to wishes, just fingers, And even the audience didn’t bother me, not even those who were still awake.. They were all parents like mine, and I knew no matter how I played the piece, well, badly, brilliantly, or disastrously, the composer would be silent and the audience full of compliments. My fellow pianists wouldn’t even hear it, heard nothing if they hadn’t yet played, kept replaying their piece in their head if they had.