an old writer and his words

  • ANCESTRY

    Children have an innate senseof their ancestry.I was a child of the cityit’s streets my paths, alwaysunder the watchful eyeof my warden – mother. Dirt was to be avoidedat all possible cost,so I never dug my handsinto the fertile soil of myvillage in the heart of Lithuania,or tasted the readying harvestthat dirt would remember. I…

    Lou Faber

  • FALLING

    I fell deeply in love with herstanding in a small jeweler’s shopin Bangor, Wales on a November morning.In truth, cradling a small silverCeltic cross in my handsI knew then that Itaken that plungewithin moments of our meetingand recognition of itwas all that remained.

    Lou Faber

  • SHOWERS

    We sat on our lanai last nightin our twin rockers, the catcurled close by but carefullyremoved from the rockersand stared into the sky hopingmeteors would grace uswith their fleeting presence. The moon did appear, shroudedin thin clouds, spectral ghostwaxing slowly in hiding, butthe stars had fled this night,fearing the rain thatthe cloud mantle promised. We…

    Lou Faber

  • PERSPECTIVE

    It will soon enough be time again,I am an old clockface on a towerat which no one but the truly boredbother to look, tucked in a cornerof a village half empty, its lifemoved away to places cooler,less stormy. So I sit and watchwhat life remains around me,the few children wishing theycould be elsewhere, some parentswishing…

    Lou Faber

  • THE WALL

    The wall is black granite, highly polished be an unseen hand and the fingers of countless thousands present but each unseen by the others. At first glance you want to count the names, but you lack fingers enough for the task and others are quickly withdrawn as are their eyes. You know where the names…

    Lou Faber

  • Chu Gives Three Calls 無門關 十七

    Three times the master’s question three times the student’s response each time, the same answer each time the master shrinks as answer surpasses question. There is no master there is no student there is only the lamp in two sets of hands. A reflection on case 11 of the Mumonkan (Gateless Gate) koans.

    Lou Faber

  • YAKUSAN’S DISCOURSE

    When the master takes his seatwhat do you expect of him?Do you watch his postureor how his hands are set.Do you stare at his lipsand what do you hearwhen they move, but no soundcomes from his throat.Listen carefully, for herethe dharma unfoldslike the first chrysanthemum. A reflection on Case 79 of the Shobogenzo (Dogen’s True…

    Lou Faber

  • TOO MANY COOKS

    I can still recallthe day my motherwas ecstatic on learningthat everything grewout of a primordial soup.It was proof, shewas certain, of a JewishGod, even if he didn’tdo it all with his own hands.And, with a broad smileshe said, I’m fairly certainat the soupwas chicken, maybewith kreplach on the side.

    Lou Faber

  • TAKING

    You can take my sight,but my mind will still see what it must,and my fingers will become eyes.You can take my hearing,I will imagine what I must,and my eyes will become ears.You can take my tongue,but my body will shout what I must,and my hands will speak volumes.The only thing you cannot takeis my words,…

    Lou Faber

  • TIMELESS

    The wonder of clocks in old towns and citiesis that few actually care if the timethey portend is accurate or an approximation. The importance often seems inverselyproportional to the size of the place in whichit is called upon to render a temporal verdict. Best of all are the clocks whose handshave ground to a halt,…

    Lou Faber