• COUPLING

    Walking through the art gallery,she frequently pauses to lookat paintings of couples in a baror a cafe, engaged in conversation. I tell her they seem sad, as thoughwhatever romance they hadhas waned, they having grownapart, this a parting of sorts. She laughs and says that I mistakewistfulness for sadness, menso often do, and adds they…


  • GENTO’S AXE 鐵笛倒吹 八十二

    You sit before himan axe in his hand.He asks a question and saysif you answer I will cut offyour right hand,if you do not respondI will sever your left. There is no soundfrom the clock in the corneras you silently grab his axeand he smilesin deeply shared knowledge. A reflection on Case 82 of the…


  • A NOVEL IDEA

    If I were a character in a novel, sayby Kawabata, that evening we mettwenty years ago, I would haveplaced my hand lightly on your shoulder,and I would have felt a heat,embers of a passion that would,in hours, leave me consumed by it. I was a middle-aged, soon to bedivorced man on his first datein thirty…


  • BANZAN’S A BETTER CUT

    At the butcherbe careful what you askfor if it is a better cutthe wise man with the knifemay slice off your handand present it to youwrapped neatly in paper. But will it beyour rightor your left? A reflection onCase 21 of Dogen’s Shobogenzo (The True Dharma Eye)


  • GHOST SITTING

    I sat with the ghost again this morning, the one who inhabits the body that was once my father. Ghosts find it difficult to speak from within living bodies, so mostly it squeezed my hand and offered an occasional weak smile or nod, said I looked good, but ghosts do have trouble seeing out of…


  • FLIGHT

    One thousand cranes take flight and there is a sudden silence as the cat stares up, bidding them farewell. We barely stop to notice, despite the rainbow of colors replacing the clouds, even the sun seeming to pause in wonder. Two thousand hands made this happen, one person, unrelenting, knowing anything less would be nothing…