I know what you did not tell them, that much I could learn for myself, but what did you tell them? I know you were full figured, I think that is the acceptable term, once it was Reubenesque, but someone must have noticed something.
Maybe those at work, sitting at their terminals didn’t notice, you came and went, few friendships perhaps, but you were close to the family, they must have suspected, though you told the agency no one knew, certainly not your partner in that act.
It won’t change anything, best since you took the answer to your grave, the one I visited to greet you and bid you farewell, the least a son can do for the mother he never got the chance to know.
In my dream, the world was at peace, and I was riding across Kansas on a unicycle, towing my car, packed to the windows, my dog walking alongside urging me to speed up because she wanted to visit South Dakota. I am due for a tricycle, I remind the dog, “the grave more likely,” she responds with a sneer that teeters between love and spite, always precariously balanced, as is her food bowl on the roof of the car. I could tell it was a dream which is not often easy from its midst, by the utter lack of churches, synagogues and mosques, none to be seen and the Great Blue Heron nesting in a scrub pine on the shreds of Holy Books.
A millennium ago the army of the lord dressed in mail and rode proud steeds across barren lands, swords flashing in a red roasting sun washed in the blood of the infidels. They stopped for prayer blessing the bodies left along the dirt track left by their hooves, a common grave for common faces differing only in the color of skin and hair.
In this millennium the army of the lord slouches outside the mall rubbing hands against the chill, the bell bleating against the night, a barren moon reflects off the red kettle. As they locked the doors he pulled the flask from his hip pocket and thought of the bodies passing by, swerving to avoid him, and the forty dollars he would get would warm his frozen skin.
First Appeared in Lullwater Review, Vol. 9, No. 1, 1998. Reprinted in Legal Studies Forum, Vol. 29, No. 1, 2005.
For eight days each December they call out to me as the flame of the candles flickers out, “Remember me” they say in unison, “remember me”, in the voice of the child, an old woman, in Yiddish, in Polish, German, Czech, Latt. I want to remember but I cannot see a face reduced to ash, blended into the earth of a farm field outside Treblinka, the winter wheat remembers. I want to remember but I cannot stroke the head of a young man whose bones mingle with his brother’s, countless others sharing a mass grave, his skull and brains painting the trunks of a nearby stand of trees. I want to remember but cannot hear the sweet tenor of the cantor whose tongue was torn from his mouth for refusing to speak of the tunnels beneath his once beloved Warsaw. I want to remember the lavender scent of the young woman, fresh from the showers but there is only the stench of putrid flesh and Zyklon, of bodies crammed into the converted boxcar. I want to remember the taste of a warm challah on Shabbat eve that she lovingly shaped into a braid and pulled from the oven, but her arms were neatly removed by the surgeon before she was cast naked into the Polish winter. I want to remember them all, their names in a memorial but they are only numbers tattooed onto endless arms. The candles die and their voices fall silent for yet another year.
First Appeared in Rattle, Issue 7, Summer 1997. Reprinted in Legal Studies Forum, Vol. 29, No. 1, 2005.
On very dreary days I like to drive through the cemetery meandering among the stones until I find a freshly dug grave. I stop, under the vigilant eye of the caretaker and carefully place a cassette of Dvorak’s Slavonic Dances or Smetana’s Die Moldau into the player. As the melodies spill forth I hope they lift the spirit of the resting, bringing them a moment of unabashed joy, a memory to carry into an eternity, a lingering riff, sweet as the juice of the strawberry trickling down the chin, a chocolate slowly melting on the tongue. Night will come soon enough bringing a darkness in which they can see their dreams take form and seep away to mingle in the void.
First appeared in Aura Literary Arts Review Vol. 26, No. 1 (2000) and reprinted in Legal Studies Forum, Vol 30, Nos. 1-2 (2006)
It was scrawled on the back of a grocery receipt, barely legible. Charles H. Boustead Tunnel, fryingpan river. The river is lower case, its capitals dangling by serifs in one of the tunnel grates that constricts the water’s flow.
Outside the full moon is ensnared in the gnarled, barren branches of the white birch. She struggles vainly to break free, but the maple wraps its limbs around her. It is only when she retreats into the earth, covers herself over, that the trees cede their grasp.
When Luna curls against you, is she chilled from the night sky, or does she reflect the warmth of the distant star? Does she press against the shredded satin, wrap herself in the fringe of your kittel? And when she tires of you, does she leave by the rotting, split pine boards through which you, bit by bit, return to the soil to nurture her captor?
I stand outside, shivering under a full January moon. Fading impressions of you are shunted into the tunnel of my memory. I never know where or when they will emerge, what they have gathered, what has been lost along the way. I hope for their return, regardless of form. The Boustead Tunnel carries about 54,000 acre feet of water annually from the river to the Turquoise Reservoir.
Go into the hills an bring back logs, straight, peel the bark and smooth them satin fibers, the main pole at least eight arms the cross no less than six. Lash them well so they will not yield under the weight of the body where you might hang. Do not speak to the shepherd, he will tell tales of what he claims he has seen on the hill but he cannot be trusted and speaks of his dreams of centurions standing over the freshly dug graves.
First appeared in Rain Dog Review Vol. 1, No. 4 (1996) and later in Legal Studies Forum Vol 32, No. 1 (2008)