LEFT HANGING

Why is it that so many songwriters
have an intense need, a desire really,
to leave the listener wondering
in frustration at how the story ends.

I can forgive Leonard Cohen for his
Hallelujah for no one is quite certain
how many verses he wrote, although
more than 80 seems to be the number,
so perhaps a missing one or ten
concludes the various stories
the song has told through time.

And Harry Chapin did give us
an ending of sorts to Taxi,
in his song Sequel, but even there
he left the door ajar, but he died
too young, so any subsequent sequels
went to the grave with him.

And one offender I cannot yet forgive
is the Ode to Billy Joe, since really,
he’s gone but that wasn’t enough
for brother, and you’d think
he would have a name since
he married Becky Thompson,
and what kind of store did they buy,
why in Tupelo, was she from there, and
what, if anything, do we know about her?

STORY

You are still there. You have a patience that I will not know in this lifetime. I know I can always find you, even though you never reach out to me except in my dreams. There I tell you my life story and you listen intently. You have no need to ask questions, knowing I will tell the whole story in due time, And time is one thing you have that I, increasingly, lack. So I’ll be back for another visit soon and you will be waiting for me, mother.

UNKNOWING

Twenty years ago today
and there was no band playing,
at least not for me, for I knew
nothing of you yet, and you
knew nothing of me either.

I have met you since
in a moment of silence,
looking at a yearbook picture
knowing what was not, what
never was or could be.

I recite the Kaddish
even though my Judaism
has been laid to rest,
knowing what is, and
imagining what might have been.

REAR VIEW MIND

I spent too much time looking
backward, looking into the past,
looking into the mirror
to frame a dream history
of my desires and fears.
He called one morning, left
a message, “Mother died,
more details will follow.”
A mother his by birth,
mine by legal act.
I should have felt stunned
anger, I said quietly to myself
he’s cocky, has issues, and went
about momentary mourning.
That is the psyche of the adoptee who
was never family, always an adjunct.
Later my antediluvian dreams
gave way under a torrent
of deoxyribonucleic acid rain.
She who I imagined in the mirror
took name, took shape from
and old yearbook, offered
a history, a family, a heritage.
When I knelt at her grave
she told me her story
in hushed tones, or was it
the breeze in the pines on the hill
overlooking the Kanawha?
I bid her farewell that day,
placed a pebble on her headstone,
stroked the cold marble
and mourned an untouched mother.

SIX FEET UNDER

I remember the afternoon
was cold and damp, with a persistent
drizzle that escaped
the clustered umbrellas,
the sky a blanket slowly shedding
the water that soaked it
as it sat out on the clothesline.

I suspect you would have
liked it this way, everyone in attendance,
everyone shuffling their feet,
wanting to look skyward,
knowing they would see only
a dome of black umbrella domes.

I recited the necessary prayers,
kept a reasonable pacing
despite the looks of many urging
me to abridge the service, but
the rain didn’t care about their wishes
and I knew you wouldn’t
so I carried on to the conclusion.

As they lowered your coffin
into the puddled grave, I imagined
you laughing, knowing in the end
you had this day gotten the last one.

First Published in The Poet Magazine – Featured Poetry
https://www.thepoetmagazine.org/august-2022

BASO’S WHITE AND BLACK

I know you have
a single question for which
an answer will enlighten you.
Neither Baso, Chizo nor Kai
are here so you are asking me.

The answer is simple:
cover your ears tightly
and listen while I speak
with closed mouth,
watch my feet dance
in joy as they do not move.
If the answer is not apparent,
ask Chizo, Baso and Kai
to speak from beyond the grave.

A reflection on case 6 of the Book of Equanimity Koans

ALIVE IN THE NIGHT

I walked the city
in the heart of the night,
street lights casting the shadows
of ghosts of those long gone
to bed, unknowing
that the city has been
given over to ravening winds
that find no shelter.

I step into an alcove
and the fading light
of the flickering bulb overhead
urges me to move on
lest she bury me
in the darkness of her grave.

By day, this will all
be gone into hiding,
finding shelter we cannot see
and we forget that
when night again returns
the ghosts will dance
wildly in these streets.

A PERFECT STILLNESS

You lie there, perfectly still,
the morning breeze slides away
leaving the sun to stare down,
and the birds fall into silence. 

I gently touch the stone, feel
your cheek beneath my finger,
see your face, the college yearbook
photo all that I have of you. 

I speak silently to you, telling
of my sixty-seven years, of your
grandsons and great grandchildren
and I sense your smile, and a tear. 

Your parents are here, your
grandparents, sisters, brothers
and cousins, and I know give
you three generations more. 

It is time for me to go, but these
moments are the most I have
of you, and as I place my small stone
atop yours, I now have a mother.

First Published in Culture & Identity, Vol. 2, The Poet (2022)

NEVER, STILL

I know what you did not tell them,
that much I could learn for myself,
but what did you tell them? I know
you were full figured, I think that
is the acceptable term, once it was
Reubenesque, but someone
must have noticed something.

Maybe those at work, sitting at their
terminals didn’t notice, you came
and went, few friendships perhaps,
but you were close to the family, they
must have suspected, though you
told the agency no one knew,
certainly not your partner in that act.

It won’t change anything, best since
you took the answer to your grave,
the one I visited to greet you
and bid you farewell, the least
a son can do for the mother
he never got the chance to know.

WE ARE IN KANSAS, TOTO

In my dream, the world
was at peace, and I was riding
across Kansas on a unicycle, towing
my car, packed to the windows,
my dog walking alongside urging
me to speed up because she
wanted to visit South Dakota.
I am due for a tricycle, I
remind the dog, “the grave
more likely,” she responds
with a sneer that teeters between
love and spite, always precariously
balanced, as is her food bowl
on the roof of the car. 
I could tell it was a dream
which is not often easy
from its midst, by the utter
lack of churches, synagogues
and mosques, none to be seen
and the Great Blue Heron
nesting in a scrub pine
on the shreds of Holy Books. 

First published in EKL Review, Issue 3, 2021
https://eklreview.com/issue_3/