On very dreary days
I like to drive through the cemetery
meandering among the stones
until I find a freshly dug grave.
I stop, under the vigilant eye
of the caretaker and carefully place
a cassette of Dvorak’s Slavonic Dances
or Smetana’s Die Moldau into the player.
As the melodies spill forth
I hope they lift the spirit
of the resting, bringing them a moment
of unabashed joy, a memory to carry
into an eternity, a lingering riff, sweet
as the juice of the strawberry trickling
down the chin, a chocolate
slowly melting on the tongue.
Night will come soon enough
bringing a darkness in which they can see
their dreams take form
and seep away to mingle in the void.
First appeared in Aura Literary Arts Review Vol. 26, No. 1 (2000) and reprinted in Legal Studies Forum, Vol 30, Nos. 1-2 (2006)
It was scrawled on the back of a grocery receipt, barely legible. Charles H. Boustead Tunnel, fryingpan river. The river is lower case, its capitals dangling by serifs in one of the tunnel grates that constricts the water’s flow.
Outside the full moon is ensnared in the gnarled, barren branches of the white birch. She struggles vainly to break free, but the maple wraps its limbs around her. It is only when she retreats into the earth, covers herself over, that the trees cede their grasp.
When Luna curls against you, is she chilled from the night sky, or does she reflect the warmth of the distant star? Does she press against the shredded satin, wrap herself in the fringe of your kittel? And when she tires of you, does she leave by the rotting, split pine boards through which you, bit by bit, return to the soil to nurture her captor?
I stand outside, shivering under a full January moon. Fading impressions of you are shunted into the tunnel of my memory. I never know where or when they will emerge, what they have gathered, what has been lost along the way. I hope for their return, regardless of form. The Boustead Tunnel carries about 54,000 acre feet of water annually from the river to the Turquoise Reservoir.
Go into the hills
an bring back logs,
straight, peel the bark
and smooth them
satin fibers, the main pole
at least eight arms
the cross no less than six.
Lash them well
so they will not yield
under the weight
of the body
where you might hang.
Do not speak
to the shepherd,
he will tell tales
of what he claims
he has seen on the hill
but he cannot be trusted
and speaks of his dreams
of centurions standing
over the freshly dug graves.
First appeared in Rain Dog Review Vol. 1, No. 4 (1996) and later in
Legal Studies Forum Vol 32, No. 1 (2008)
I have never visited
the grave of my mother,
either of them, which seems most odd
primarily to me.
The mother I never knew
until it was too late to know her
is buried in Charleston, West Virginia
a place i intend to visit, grave site included
in the coming months, to see
where my mitochondrial DNA was planted
and grew into the odd shape
that greets me in the morning mirror.
The mother i knew so well, who could always find
ways to frustrate me when I was certain she exhausted
every possibility is buried next to my sister,
placed there by my brother who couldn’t quite
get the funeral together, at least not the one
she would have appreciated, with the near famous
all pump, never the right circumstances
so into the ground she went.
I will visit there too, someday perhaps,
but helical gravity will always
pull me to the Mountain State.
She wrapped him carefully
in an old blanket and several
sections of the Times and put him
in the basket with the broken handle
she found out behind the Safeway
near the culvert that was home
until the rains came.
She placed him among the weeds
and beer bottles, where the river’s smell
licked the wicker, and she hoped
he would be found quickly.
She envisioned him at the right hand
of Kings, holding forth on all
manner of life and death,
princes seeking his insight,
hanging on his words. He
would not be like others
dying at the hand, whim of wealth.
He was found a week later
lodged against a grate
at the intake of the power station
and placed in a far corner
of the city cemetery under
a simple stone “Baby Doe.”
My mother no longer speaks to me. It is not that she has been dead two years, that passage would hardly be an impediment for her. I would like to think she has nothing left to say, having said it all so many times in the past. Some say we will see each other again in heaven, but it is unclear which, if either of us, will be there, and I don’t look forward to once again being a child who can do nothing quite right enough for her, yet again, and for eternity, this time.
When they lowered my grandmother’s casket
into the sodden earth, there wan’t
a dry eye, shoulder or leg, around.
She would’ve laughed aloud,
her children always too busy for a visit
now soaked to the skin
in a cold, windy downpour, all but me,
the one she chose to conduct the service,
the funeral director behind me
with the oversize umbrella, ensuring
the words of prayer and departure
were dry enough to read, washed
only by my tears, held back, unholdable,
the clunk of the first shovel of dirt
on the simple pine box still echoing.
He is bent over, walks with a shuffling stumble. He follows the path, inscribing it center or as close to it as he can get. He wants to say hello to those who would acknowledge him. He doesn’t understand why his mouth refuses to smile, refuses to form even the simplest of words. All he sees is her face, he sees it clearly when he walks each morning as they used to, and he will follow it until he sees it again the loamy soil they will share soon enough.
Oddly I have a photo
of my grandmother’s grave,
but not one of my mothers,
either of them actually, and
we’ve yet to have a funeral
for the one who raised me.
I forgive the one who gave me life,
for she gave me to one she felt
could care for me well and
she slipped away into death
before I found out her name.
I do have a college yearbook
photo of her, and that will
have to do every day, and
especially on Sunday when she
will have been lying
in the soil of West Virginia
for sixteen years, and I will
be mourning her passing for four.
The thing about it is
it is so damn quiet
I can hear myself think
but I can’t think anymore.
And I’ll tell you
this box is so cold
it just leaks air
and water has seeped in.
Somehow I expected more
it isn’t at all what
and the stone
is not set straight
which is driving me
only slightly crazy,
so tell me
about my grandsons
are they still handsome
young men, do they have
girlfriends like your wife.
You know steel would
have worn far better
and white satin
would be so much
more cheerful than this blue,
it just clashes with
this white gown
which fits terribly anyway.
You should come to visit
more often, Hilda’s son
and all her grandchildren
visit each week, but me, no one.
Its starting to rain again
so go, you don’t want
to catch a cold, it could
kill you, of this I’m certain.
First Appeared in Children, Churches and Daddies, Vol. 117, 1998.