It is that moment when the moon is a glaring crescent, slowly engulfed by the impending night — when the few clouds give out their fading glow In the jaundiced light of the sodium arc street lamp.- It nestles the curb — at first a small bird — when touched, a twisted piece of root
I want to walk into the weed-strewn aging cemetery, stand in the shadow of the expressway, peel the uncut grass from around her head- stone. I remember her arthritic hands clutching mine, in her dark, morgueish apartment, smelling of vinyl camphor borsht I saw her last in a hospital bed where they catalog and store those awaiting death, stared at the well-tubed skeleton barely indenting starched white sheets. She smiled wanly and whispershouted my name — I held my ground unable to cross the river of years unwilling to touch her outstretched hand. She had no face then, no face now, only an even fainter smell of age of camphor of lilac of must
Next to the polished headstone lies a small, twisted root. I wish it were a bird, I could place gently on the lowest branch of the old maple that oversees her slow departure.
First appeared in Legal Studies Forum, Vol. 30, No. 1-2, 2006 and in The Right to Depart, Plainview Press, 2008.
My grandmother speaks to me from time to time, in a voice that sounds remarkably like my own, but the dead borrow voices, it is so much easier than exercising their own, and there is so little need for words once they leave. She hasn’t changed all that much, still opinionated, still ready to have at it with my mother, who strangely doesn’t visit, doesn’t speak now in any voice, but that may be because the more recently departed assume we remember what they needed to say, and said repeatedly before they died. My grandmother still tells me to carefully consider my actions, to never confuse right and simple, to remember her and never, ever give another thought to Jack, the bastard third husband and the only one she ever dumped.