• THE RIVER OF SADNESS

    I have written poems about my grandfathersand the lives I was told they led,having met none of them, but I knewI was appropriating their stories, claimingthem as my legacy although all I was doingwas adopting them, as their children hadadopted me, none of the stories truly mine,and I only family by the thinnest of tiesthat…


  • TRIPTYCH

    A triptych hangs in the gallery of memory. Admission is by invitation only. The first panel is a time fogged mirror into which I stare. The adopted image hides behind the tarnished silver. My adopted mother’s voice is heard from a hidden speaker: “You were named after my father.” I want to tape his picture…


  • TAILORING

    My adoptivegrandfather could take bitsof cloth, a needle, threadand with magiclygnarled fingerscreate a garmentfit for royalty, to be wornby the old womanliving in the walkup down the street. I take wordsbits of ideasand hope,and with manicured fingerscreate whatI can only hopepasses for poetryto be ignoredby thoseliving nearbyin my suburb.


  • HANGING BY A THREAD

    In Riga, my grandfather was a master tailor, the great and the rich would come to his shop some bringing bolts of fine cloth and others trusting him knowing that wools and silks were not beyond his reach. Even after they marked his home as that of the Jew, the Captain, who rode through the…


  • VILLAGE

    The village of my grandfather still stands amid the fields adobe walls stained by soot from the fireplace birds nesting in the summer warmed chimney singing. The ancient scythe leans against the wall, its blade embedded in the crusted soil as the old tractor idles in the field. Armies have trod this ground ignoring the…