EMPTY PLATES

The old gods have taken
up residence is small casitas
on the edge of Saguaro
National Park outside Tucson.

It isn’t Olympus, but the
property taxes had become
unsustainable with so few
bothering to offer tributes.

They have gotten over
their jealousy of the new
gods living in the valley,
with their European

villas, yachts and getaways,
for the old gods know well
how it will all end: there
will be no phoenixes when

the end approaches and
the newer still gods offer
their answer to prayers
not then yet even imagined.

YOU’RE OUT OF HERE

The gods have ceased
to care about us, too
busy with other more important
tasks like fighting their
pending evictions from
Olympus and Asgard.

And the demigods have
never given a damn
about us, always preening
and imagining their
elevation, so we are left
to muddle along and we
know how that has worked
through history, so we
have turned away, anointed
ourselves, declared we
are holy and built a heaven
and hell as a final middle
finger to the once gods
who can all go to hell.

APPROACHING NIGHT

Arising into night
the departing sun
tangos away with its cloud,
memories soon forgotten.

Other dancers take the stage,
now a romance, now
a war dance, feathers raised
in prayer to unseen gods.

Night will soon bring
its curtain across this stage,
the avian casts’ final bows taken
the theater will darken, awaiting
another performance,
a new script tomorrow,
but for this solitary moment
of frozen grace, it is we
who write the conversation,
our lines sung by actors who
know only nature’s
unrelenting song.

First Published in Half Hour to Kill, August 2022
https://halfhourtokill.com/home/approaching-night-by-louis-faber

STRING QUARTET

The violinists’ laughter and tears
are flung from her flying bow,
drip from his elbow,
and wash over the stilled audience –
we can taste the sea
as we threaten to capsize.

The viola is the older brother
now steadying, now caught
in the wave, riding
its dizzying course,
dragging us in its wake.

The cello is a torso, the cellist
a surgeon, her hands
plucking small miracles
from stretched gut,
shouting for, then at,
the still stunned gods.

Somewhere, Brahms
must be smiling.

First Published in The Right to Depart, Plain View Press, 2008.

CONVERSATION

Arising into night
the departing sun
tangoes away with its cloud,
memories soon forgotten.
Other dancers take the stage,
now a romance, now
a war dance, feathers raised
in prayer to unseen gods.
Night will soon bring
its curtain across this stage,
the avian cast’s final bows taken
the theatre will darken, awaiting
another performance,
a new script tomorrow,
but for this solitary moment
of frozen grace, it is we
who write the conversation,
our lines sung by actors who
know only nature’s
unrelenting song.

BALLET OF THE GODS

Once they pierced your heels
to hobble you, bound up
feet and ankles to lash
you to the earth, there weren’t
angels then, no wings, just the pain
of toes crushed inward,
the silent agony of motion,
a cruel joke played by gods
starved for entertainment.
But Terpsichore, hearing
Erato’s song, set them free
brought them to a pointe,
allowed them to take wingless
flight, and toes became a platform
from which their joy rose up
spinning, whirling, slashing
until even the most jaded
of the gods fell silent in awe.

First Published in AGON Journal, Issue 0, 2021

PRISONER

This morning, I am certain
the earth pulled me down more strongly,
as though gravity needed to reassert itself,
having lost someone in its grip
to the virus, a common complaint
as we stumble through still another year.

I fought it off course, the birds
in the wetland at once admiring
my effort and laughing at what they knew
would ultimately be a futile gesture.

You belong to the earth, they said,
you arose from it, are bound to it
and it is a matter of time before
it reclaims you as it does with all.

It was easier, they added, in ancient days,
when the gods truly cared, for then
you need only sufficiently irritate them
before they would sever your earthy bonds
to serve eternity in a celestial prison.

IBIS SEEING YOU

They pause
in their foraging in the lawn
to peer up at us,
strange looking interlopers,
but they are used 
to us by now
and return 
to the task at hand.

We no longer 
find them strange
though we never quite
get used to the curved
salmon colored beaks,
and we do wonder
why the ancient 
Egyptians held 
them sacred.

It seems that they
have never forgiven
their Egyptian ancestors
from affixing
their head 
to a man, god
or no god, he
couldn’t find
a grub if his life
depended on it.

HISTORY

Deep in the valley of memory
on the altar of Ares
we sacrifice them, always young
each generation we are
Abraham unrestrained,
the pardon always moments late.
We are Olmecs, relying not
on the sun’s passage
but on a mainspring tightly wound.
Our gods hunger and must
be sated lest we lose favor
and their image change.

In our boneyard
priests and victims
slowly decompose
fade into earth
washed deep
by tears of Gods
powerless to intervene.

First published in The Peninsula Review, Vol. 5, (1998)

THE RUNES

Here, in these unmown fields
where the morning mists gather
once stood the ancient chieftain
his clan assembled about him
staring into the distant trees
under the watchful eye of the gods.
As the October winds blew down
from the hills, they strode forward
blades glinting in the midday sun
ebbing and flowing until the moon
stood poised for its nightly trek
and they stood on the precipice
of exhaustion counting fall brethren
sacrificed to the blade of the claymore
for glory of clan and entertainment of gods.

On these tired fields no chieftains stride
and the mists no longer wrap the boulders
left to mark nameless graves of kin.
These are now ill sown fields, lying
in the wasteland between chiefs who sit
in silent bunkers, clansmen gathered
to retell the tales of glory long vanished, to come.
In these fields they till the begrudging soil
and beg the gods for meager growth.
As the moon begins its slow journey skyward
they pause to count the craters torn
into the rocky soil, and gather the bones
of those newly fallen, sacrificed to the wrath
of the claymores, the entertainment of the gods.


First Appeared in Main Street Rag, Vol. 7, No. 1, Spring 2000.