STAIRWAY TO HEAVEN

We have mastered the art
of making promises,
we can do so without reflection.
We are not certain why God
seems so reticent to join us,
we were created in His image,
we are constantly told, yet
even when we ask, no promises
seem to be forthcoming from heaven.
Some say God is far too busy
to make even simple promises,
for God would have to deliver on them,
without fail, something we
have never quite managed.
Others say promises were what had us
evicted from the Garden and we
still have not learned our lesson,
or so promise the priests and ministers
who assure us our place in heaven
can always be secured for eternity
by a sufficiently large donation.

THE QUESTION

If my mother was here
she would ask me what
I have to say for myself.
Just this once, I
would remain silent,
for there is nothing
that needs saying
and she would be certain
that if there were
she should be the one
to say it, but silence
would drive her mad.
So perhaps it is good
that she is not here,
that she did not ask,
though if there is a heaven
and hell, God or the devil
will need to tell her what
they have to say for themselves,
or they will never, ever
hope to hear the end of it.

IN TRANSIT

We have decided to skip the viewing
to say our farewells in thought
without needing to see her face
frozen in the morticians best attempt
at placidity, erasing the anger, the fear,
the frustration, the pain that made
leaving easier for her than remaining.
We will say the prayers, most of them,
she with fervent hope that they are heard,
I as a member of the chorus.
Some will invoke both the father and son
and spirits will be moved,
and I will reflect, will listen politely
and hope the universe is receptive
to one who is now in transit.

STILL SMALL VOICE

We listen carefully
certain we can hear it
if and when it appears.
We hear nothing, but we
are used to not hearing,
but faith is a far more patient
than it is given credit for
and we have nothing to do
in any event, other than
to abide an event
we cannot predict
and non-prediction
is a skill we have refined
since we were evicted
from the garden, apple in hand.

AUDIENS CAVE

I just want you to know
that the Old Man set me up,
and I’ll admit that, cagey as I am,
I never saw it coming.

I mean I knew he was capable
of anything, but he always adopted
this holier than thou persona so why
would I imagine He’d do this?

And it wasn’t like He clued
me in on it, how was I to know
that one was somehow different,
and weren’t they the smart ones?

So I take the fall, and you can bet it
will be an eternity of distrust, if not fear
or hatred, and I have to say, the damned
apple wasn’t all that tasty anyway.

WE HEAR YOU

He loves looking at the sky,
particularly at night for he knows
someday they will contact him,
and if not him, someone else
who, like him, loves looking at the sky.
He has no idea what the message will be
he isn’t sure he, or anyone, will
be able to understand it, but
he is certain he or that other someone
will know the message has been received,
and that will be enough; leave it
to others to decipher things.
That is something his kind has been doing
for millennia, though he fears if he receives
the message, or someone like him does,
understanding or not, it will mark
the moment of the death of God, or the birth
of a new, another, God, or just maybe
they will rewrite the ancient books
and hearing God’s voice will no longer
lead instantly to madness, which
he imagines to be madness itself.

BELLY OF THE BEAST

From within the belly of the beast
Sheol is a placid place, removed
from the waves rattling the timbers,

silent of the cries of the men
berating their fate, uncertain
as to the cause of their discomfort.

Let Nineveh burn, lets its people
scatter to the streets, let the King
stare out at the destruction and wonder.

He should need no prophet, no seer,
no interpreter of dreams to know
why all about him lies in ruin.

Inside the belly of the beast
it is warm, and comforting,
a womb from which one

should have no desire to be
cast out upon the land, or to drown
in the swirling waters of the angry sea.

There is only the hunger in the bowels,
and the blackness of a thousand nights,
a blackness darker than the shade

of the tree, which withers in the heat,
of the waters which disappear
before quenching the endless thirst.

Within the belly of the beast
there is no sound, no voice
to draw forth thoughts, no dreams

to disrupt the sleep that will not come,
only the void and the silence
and the cries that echo off baleen walls.

Nineveh lies in ruin, Sodom a pillar
of salt, the walls of Jerusalem lie
a jumble of stones, the oil of the lamp

seeps into the arid ground, and only
the weed springs forth to mark
the graves of the forgetting people.


First Appeared in A Writer’s Choice, Vol. 2, No. 1, Spring 1999