AUDIENS CAVE

I just want you to know
that the Old Man set me up,
and I’ll admit that, cagey as I am,
I never saw it coming.

I mean I knew he was capable
of anything, but he always adopted
this holier than thou persona so why
would I imagine He’d do this?

And it wasn’t like He clued
me in on it, how was I to know
that one was somehow different,
and weren’t they the smart ones?

So I take the fall, and you can bet it
will be an eternity of distrust, if not fear
or hatred, and I have to say, the damned
apple wasn’t all that tasty anyway.

WE HEAR YOU

He loves looking at the sky,
particularly at night for he knows
someday they will contact him,
and if not him, someone else
who, like him, loves looking at the sky.
He has no idea what the message will be
he isn’t sure he, or anyone, will
be able to understand it, but
he is certain he or that other someone
will know the message has been received,
and that will be enough; leave it
to others to decipher things.
That is something his kind has been doing
for millennia, though he fears if he receives
the message, or someone like him does,
understanding or not, it will mark
the moment of the death of God, or the birth
of a new, another, God, or just maybe
they will rewrite the ancient books
and hearing God’s voice will no longer
lead instantly to madness, which
he imagines to be madness itself.

BELLY OF THE BEAST

From within the belly of the beast
Sheol is a placid place, removed
from the waves rattling the timbers,

silent of the cries of the men
berating their fate, uncertain
as to the cause of their discomfort.

Let Nineveh burn, lets its people
scatter to the streets, let the King
stare out at the destruction and wonder.

He should need no prophet, no seer,
no interpreter of dreams to know
why all about him lies in ruin.

Inside the belly of the beast
it is warm, and comforting,
a womb from which one

should have no desire to be
cast out upon the land, or to drown
in the swirling waters of the angry sea.

There is only the hunger in the bowels,
and the blackness of a thousand nights,
a blackness darker than the shade

of the tree, which withers in the heat,
of the waters which disappear
before quenching the endless thirst.

Within the belly of the beast
there is no sound, no voice
to draw forth thoughts, no dreams

to disrupt the sleep that will not come,
only the void and the silence
and the cries that echo off baleen walls.

Nineveh lies in ruin, Sodom a pillar
of salt, the walls of Jerusalem lie
a jumble of stones, the oil of the lamp

seeps into the arid ground, and only
the weed springs forth to mark
the graves of the forgetting people.


First Appeared in A Writer’s Choice, Vol. 2, No. 1, Spring 1999

BOTTOM LINE

They are dying but
it really doesn’t matter
since the bottom line doesn’t
recognize their plight, and
never mind that we paid
for its invention, for that
is the beauty of this age.
God is no longer
in charge of things, bought
and sold, and now assigned
to watching the corn grow
in central Illinois, and this
wasn’t a good year for crops there
and most everywhere.
Now it is too hot and dry
but since we can’t acknowledge
even the concept of climate change
countless veterans by
of a curable disease because
we need to fund the next war
won’t be able to complete.

WE BOW OUR HEADS

Today’s prayer
shall be recited in silence
total, not even the breath
indicating a longing for action.
Nor will it invoke
a holy spirit without us
for it is we
we must inveigh
to attain the desired
actions for which we seek
holy intervention, casting off
free will, an accreting
poor decisions, a goat
where where seek scape
and atonement
for the sins of all the others.
Today’s prayer
shall not be recited at all,
but it is this prayer
in which we find absolution.

WITH A CAUSE

She says if you could only
peel back the photograph, you could
read the entire story that lies beneath.
It is deeper than the image below which
it lies trapped, and wider, imbued with a meaning
the image could not capture, just as,
she says frowning, there are no words
for parts of the picture, a symbiosis
that we of unitary senses cannot unite.
This one, pointing to a crucifix, shows him
where he ought to be, the pain, his pain
apparent, but so much deeper than
any image or sculptor’s hand can fashion.
Undeserved pain, not by sacrileges, by rebellion
but he would understand it, he would
revel in it, for he was the greatest rebel
and he would easily peel back the picture
in step wholly into the story beneath.

CRYPTIC (an acrostic)

God, it was a long night, unending
needs unsated, brought to the edge
man is a cruel beast, half master
as pleading supplicant, half slave
much the child, begging, wanting
as if food or thought would give
man humanity, elevated above
needs, existing outside, independent a
God, ruler of illusion and fantasy.


First Appeared in Aura Literary Arts Review, Vol. 3, No. 2, Summer 1996.