an old writer and his words

  • PERCUSSION

    After years of going to live jazzI’ve honed my skills to a fine level.I still know next to nothingabout the intricacies of the music,five years of classical piano andI barely understand Bach and Mozart. But I know where to look, whobears watching in the combo,and it isn’t the trumpeter, hewith his ballooning cheeks, someclownish bellows,…

    Lou Faber

  • TOPOLOGY

    Between this point and that lies a vast uncharted space noted on every cartographers chart. If you ask how this could be possible I reply it’s like listening to silence and hearing each sound deeply embedded in the one next to it, a glissando of what exactly? Uncertainty? That is the whole point in the…

    Lou Faber