• OMOTESANDO

    When I would visit TokyoI often went to Shibuya where,on the second floor of an old buildingon Omotesando, a block printmerchant shared space withsouvenir vendors and artists.I would pick out prints that werereasonably priced, imagingfor a moment the were by Hokusaior Hiroshige, although I knew whatthey would cost if I could find them.Still, I’d carefully…


  • ANTIQUEING

    Mother was an inveterate attendeeat flea markets and Goodwill storesand I would accompany her.She had a knack for antiques, wouldrummage for stereopticon slides,player piano rolls and anything elseshe thought belonged in the family roomshe had taken back to the late 19th century.She scouted the stalls, the darkcorners where Goodwill put thingsthey didn’t think would sell,…


  • KOTEI STRIKES A MONK 鐵笛倒吹 八十一

    Bow before a kingand you may be rewardedbut bow before a teacherand expect to be shunned.Which has something to offer?Ask the teacher why he shuns youand he will turn you away. One offers a bit of gold,one offers a priceless gem.Gold can buy you many thingsbut the gem is worthlessto all but he to who…


  • YAKUSAN SOLVES A PROBLEM 鐵笛倒吹 三十三

    If you want to ask of the path, do so, only without breaking the silence of the zendo. Seek the answer in a library without books, take sustenance from an empty bowl. Bodhi is a glittering gem that cannot be seen that cannot be held— do not stumble over it. A reflection on Case 33…


  • TOZAN’S ADVICE 鐵笛倒吹 七十七

    If I tell you there is a still more precious gem will you ask “what is it?” If I respond “it is not a diamond: what will you do then? The wealthy fool will throw off his rings and begin a futile search. Are you such a fool, or do you look inside secure in…


  • ELEGY

    I am a Yao gem inferior to jade but awaiting the sorceress. Will she wear me in her ear, or prefer the pendant? I am a branch broken from the tree to dry on the ground my fruit shriveled into stones. Carry me in your dance inhale the fragrance and raise me from the ashes…