STOICS

This afternoon the vulture couple
sit stoically on the limbs
of the long dead tree in the preserve.

The rain was torrential
as we watched from the dry
confines of our home, they
stood soaked to the feathers
with nowhere to hide, knowing
they couldn’t out fly or out climb
the purging clouds, so they set
soaking wet and stared at us.

And then I knew, just looking
at them, that while I felt sorry
for them perched in a downpour
they felt the same for us, we
unable to know the joy of flight.

JEALOUSY (AGAIN)

We are jealous of trees,
anchored as we are
to a grasping earth,
able to tear free only
momentarily or with
the help of machines,

for trees can approach
the clouds, swaddle
all manner of birds,
and, we are certain,
know heaven more
intimately than we can.

And trees are jealous
of birds, able to fly
well above their highest
branches, knowing
the true blue of the sky
and the verdant base
from which they took flight.

Just for the fun of it I asked ChatGPT to write a poem on this topic. Here is its effort:

In envy we gaze upon the sky, Watching birds soar with such grace and ease, Their wings taking them to places high, Leaving us on the ground to freeze.

We long to join them in their flight, To feel the wind beneath our wings, To escape the troubles of our plight, And spread our arms to feel the fling.

But alas, we are not meant to fly, Our feet firmly planted on the earth, While birds glide through the clouds on high, Showing us the true meaning of worth.

We may be jealous of their freedom, But let us not forget our own, For we have the ability to dream, And make our own paths to be shown.

So let us not dwell on jealousy, For we too have our own unique gifts, Let us embrace our humanity, And find joy in the life we’re given

BUSINESS SUITS

“What do you think is the likelihood
of success in the long run,” she asks,
and I watch the fly land on my forearm,
perched on hairs that barely

bend under his inconsequential weight.
His wings are a perpetual twitch,
almost unseen, and felt only as a faint
breeze in my imagination, while a world

is created, a reality collapses, a butterfly
is born and dies, and the fly stares at me
a thousand faces the same, each processed
in turn, digested and stored in

a finite space, overwritten by
the next face, flower, while
his tongue unfurls, flicks and sucks
on a bead of sweat at my elbow.
“Not very good,” I respond.

First Published in the 2005 Scars Publications Poetry Wall Calendar

ABYSMAL

At the edge of the abyss,
teetering on the precipice
you need not tell us not
to jump, need not tell us
the horrid details that
would befall us if we did,
blood and gore in
infinitesimal detail.

It is more than enough
that you point out to us
the sheer height at which
we stand, the cragged
floor of the canyon
awaiting those who
imagine they can fly.

We will walk away calmly,
never considering flight
into the too well known,
and leave you to ponder
why you are again alone.

CROWING

Imagine, for just a moment,
you have become a crow.
You know that you will be
detested by most eventually,
your voice despised by all
who are forced to hear it.
And while you can fly, you
know you won’t be more
welcome regardless of where
you choose to land.

If you cannot imagine this,
then imagine you have
become a politician,
for that will, for you, prove
to be much the same
as crowhood, the biggest
difference being your new
need to grovel before all,
because the loss of that job
would be an unbearable state.

LIONEL HAMPTON AND THE GOLDEN MEN OF JAZZ

Blue Note, pardon
our construction
black painted
plasterboard
a hanging
air conditioning duct.

Grady Tate
sneering at the skins
growling at a high hat
hands shifting
deftly reaching in
picking a beat
and sliding it
over the crowd.

Jimmy Woode
blind to the lights
slides his fingers
over strings
and talks to the bass
resting on his shoulder.
It sings back
begging , pleading
demanding as his head
sways with an inner vision.

Junior Mance
sways slowly fingers
tentative on ivory plates
crawling through the alley
scurrying for cover
and strutting down Broadway
ablaze in neon
dancing through Harlem
and sliding into the East River.

Pete Candoli
white against the night
smiles as his horn
cries out, a siren
piercing the dark
reaching up grabbing
your throat, throttling
then caressing your face
until you fall
into your seat, spent.

Harry “Sweets” Edison
wrinkled jowls suck in
the city, smooth ebony balloon
shouting from balconies
to revelers below
and mourning a love,
crying in the streets
dashing out of a basement
flat, a child crying
mother screaming in birth
a young man
groaning in orgasm.

Benny Golson
hair tied back
swaying, runs up the stairs
pauses, and leaps out
into the air
and flies off
laughing at the city
huddled below
its collar turned
against the wind
off the river.

Frank Foster
sits on the stool
and strokes
his sax, coaxing it
peering out around
a corner, slipping inside
then running down the street
dancing between taxis,
then striding down
Bourbon Street
the pall bearers
strutting behind.

Al Grey, stands
arm waving, a manic
conductor, it whispers
beckoning, then hums
droning, then slowly
it moves the fan
giving a glimpse
dragging the boa
drawing all eyes
as she passes into the wings
sticking her head out
smiling at the cheers.

Hampton leans
on the vibraphone
seeking balance,
and old man bent
from age, lost amid children.
Mallets slowly rise and fall
gaining speed
rushing out
glissando of sound
his hands flashing
the crowd rises
and there comes
silence.

First Appeared in Pointed Circle, Issue 15, 1999.

GOOD DAY (GOODNIGHT)

Every morning we are able, we go out
on the lanai and have our fruit bowls
then our cappuccinos with toast
from her homemade sourdough
whole wheat bread, and watch
countless birds fly out
of the wetland that abuts our yard.
The cat is always awaiting
our arrival, usually sleeping
on one of our oak rockers.
She will look up at us, yawn
and when we nod, amble over
to her “cat condo” where she knows
her morning treats will appear.
She will announce her thanks
and slide back to the rocker
for her morning nap, knowing
she can watch the birds
arrive later when she
is far more rested for she
reminds us that cats are nocturnal.

HAUNTING

The ghosts of my birth parents
blow into my dreams as
so many white sheets torn
from the clothesline
by gale winds, fly over me,
at once angels and vultures
carrying off memories
created from the clay
of surmise and wishful thinking.

I invite their visits, frail
branches to which to cling
in the storms of growing age,
beginnings tenuous anchors
to hold against time, knowing
the battle cannot be won,
but take joy in skirmishes
not to be diminished
by an ultimate failure I
have long come to accept.

NANSEN’S NOTHING SPECIAL

Her greeting
is met with silence.
His greeting
is met with silence.
Your touch
is met with greeting.
You want to fly,
curse the Earth
for holding you,
while it is your mind
that is your
only anchor.

A reflection on case 87 of the Shobogenzo, Dogen’s True Dharma Eye Koans