IMPRESSIONS

I have no reason to venture to Tahiti
for Gaugin took me there years ago,
and again on a visit to Chicago and one
to New York, or was it Cleveland, it hardly
matters, for I know that the Tahiti of my
experience no longer exists, touristed
to death, itself at constant risk of drowning.

I did have reason to go to Arles, and there
searched far and wide for the sky
that Vincent promised, or the flowers,
but the few stars visible through
the lights and pollution of the city were
pale imitations of the brilliant lights I know
were there aj century ago.

Now I sit in my yard and watch
the comings and goings of
a thousand birds who deserve
to be painted and not captured merely
in pixels, for memory, human and
electronic, fades with time, while
art if not artists can be immortal.

A MISTAKE IN SPEAKING

When you speak the words
of the Buddha you are lost.
Light is everywhere in silence
but the tongue must hide
in the dark of the mouth.

Buddha’s words are flowers
unfolding in the dawn
by the side of the still pond,
the eyes hear the song
and respond in silent chorus.


A reflection on Case 39 of the Mumonkan (Gateless Gate Koans)

A MISTAKE IN SPEAKING 無門關 三十九

When you speak the words
of the Buddha you are lost.
Light is everywhere in silence
but the tongue must hide
in the dark of the mouth.

Buddha’s words are flowers
unfolding in the dawn
by the side of the still pond,
the eyes hear the song
and respond in silent chorus.


A reflection on case 39 of the Mumonkan (Gateless Gate)

A Mistake in Speaking 無門關 三十九

When you speak the words
of the Buddha you are lost.
Light is everywhere in silence
but the tongue must hide
in the dark of the mouth.

Buddha’s words are flowers
unfolding in the dawn
by the side of the still pond,
the eyes hear the song
and respond in silent chorus.


A reflection on Case 39 of the Mumonkan (the Gateless Gate Koans)

OCCLUSION

After the stroke
he couldn’t remember
much, was the woman

in white who bathed him
his wife or someone
he slept with once

before he had gotten
married. Monogamy
was a word that he

remembered, though not
its meaning, or why he
had sworn to abide it.

When the aide brought
in the flowers, they smelled
familiar, like the odor

of capon slowly boiling
on the Sabbath stove.
He heard the concerto

small radio tinny, but it
sounded strange, gut
of cat sawed across strings

crying out against
the injustice of it all
and the chair against

the window, was it one
he sat on at the edge
of the stage, bowing

to the audience as
Mozart’s crescendo
still echoed in his ears.


First appeared in the May 2019 Issue of The Broadkill Review

MISTAKE IN SPEAKING 無門關 三十九

When you speak the words
of the Buddha you are lost.
Light is everywhere in silence
but the tongue must hide
in the dark of the mouth.

Buddha’s words are flowers
unfolding in the dawn
by the side of the still pond,
the eyes hear the song
and respond in silent chorus.


A reflection on case 39 of the Mumonkan (The Gateless Gate)

A MISTAKE IN SPEAKING 無門關 三十九

When you speak the words
of the Buddha you are lost.
Light is everywhere in silence
but the tongue must hide
in the dark of the mouth.

Buddha’s words are flowers
unfolding in the dawn
by the side of the still pond,
the eyes hear the song
and respond in silent chorus.


A reflection on case 39 of the Mumonkan (The Gateless Gate)