SEPPO CUTS TREES 鐵笛倒吹 二十三

Will you spend
all of your time
sharpening the blade
or will you use it on the tree
and if you strike the pith
what will you say then?

To speak of the sap
flowing freely from
the wound of the axe
is utter foolishness
it has no taste on the finger
better to feel
the blow of the stick.


A reflection on Case 23 of the Iron Flute Koans

TOUCH

I would reach out
in touch you
but as it is
my fingers
barely
reach the keyboard.
I would take
your picture
the next time
I see you, but
it would appear
instantly, no waiting
for someone to tell me
as you were merely
a blurred image
appearing days later
pulled from an envelope.
Perhaps I’ll leave
a posting on your
digital wall
and simply hope
you are still alive
somewhere just
out of reach.

GYOZAN DRAWS A LINE 鐵笛倒吹 八十三

At the end
of a long day of discourse
the teacher may ask the student
what have you learned.
How should the student respond.

The student may raise a finger
and trace a line
in the air of a fading day.
Which, I ask you
is the teacher
and which
is the student?


A reflection on Case 83 of The Iron Flute

 

CHU TI’S ONE-FINGER CH’AN

When you believe you have
found your teacher,
ask him a question.
If he gives you an answer,
be certain that he
is not your teacher.
But if he holds up
just a single finger,
will you pause
in false anticipation,
or do you gaze at
his raised finger
and carefully consider
the answer.


A reflection on Case 19 of the Hekiganroku (Blue Cliff Record)