NOT OVER THE RAINBOW

It seems odd now, that he is here,
a place he never intended to be,
as it was a place he could not imagine,
yet he most certainly was here.
If you asked him why he was here,
he would answer that he had to be
somewhere, and here is where it was,
just as your being here is just
as it had to be, for you are here.
He points to a sign over his palette bed,
which simply reads “You Are Here,”
and says, I take it everywhere I go
and it has never been wrong yet.
The bell rings for the evening zazen
and as he assumes his place on the mat,
the Buddha seems to smile and say
to us both, You are where you should be.

A POINTED REPLY

Between this point and that
lies a vast uncharted space
noted on every cartographers chart.
If you ask how this
could be possible, I reply
it’s like listening to silence
and hearing each sound
deeply embedded in the one
next to it, a glissando of
what exactly? Uncertainty?
That is the whole point
in the final analysis, for
between that point and this one
everything exists in that one place.

AN INKLING

 

He says he has discovered that the best
way for him to write is to ignore the pen
totally, to just let it lie on the desk doing nothing.
It should be in close proximity to paper,
for pens need that to complete their existence
or at least to give them purpose to go on.
He also needs to avoid the siren’s call
the emanates from the keyboard
far too frequently for his taste.
No one is willing to believe him, “Just write,”
they say, but he knows that words
are merely that, and meaningless without
the context only a reader can provide,
even if that reader is he, and so he stares
at the pen and page and in time
he becomes aware that the pen is ready
and then, and only then, does he allow it
to move his hand across the paper.

ROYA’S MOUNTAINS AND RIVERS

If I ask you
to look out the window
and tell me what is there,
what will you say?
If you say there are trees
and a house in the distance,
I will tell you
to tell me what is there,
not what you mind creates.
If you again tell me
there are trees and
in the distance a house,
I will walk away,
for you have given me
only words and that
for which I asked.


A reflection on Case 100 of the Book of Equanimity

TOPOLOGY

Between this point and that
lies a vast uncharted space
noted on every cartographers chart.
If you ask how this
could be possible I reply
it’s like listening to silence
and hearing each sound
deeply embedded in the one
next to it, a glissando of
what exactly? Uncertainty?
That is the whole point
in the final analysis, for
between that point and this one
everything exists in one place.

TO BE, OR

The beauty and the difficulty
of being in the moment
is the realization that there is
no moment in which to be.
When you ask what time it is,
I can only answer by referring
to what time it is not, for time
must be relative to that
which no longer exists,
or has yet to come into existence.
Do not seek to be in this moment,
but rather simply be, for being
without seeking anything is at once
the most difficult task
you can undertake,
and the simplest.