• EDGE OF THE ABYSS

    He sits on the edgepeering down, shakingin the breeze, knowingthe abyss below waitsfor a misstep, a slip. He stares up, waitingfor her return, hopingshe will soon arrivebringing the meal, neverenough always wanting more. He knows he willsomeday soon haveto leave, but for nowall he can do is spreadhis wings, flap them, until it will seem…


  • INTO THE BRUSH

    I have carefully peeledback the skin of a hundred snakesand left their twisted formscurled around mesquiteas so many skirts. Canadia geesefollow carefully worn pathsacross an October skyundeterred by storm cloudsgiving chase from the west.A wolf wanders downfrom the tree line to the edgeof the highway. She can tastethe approach of winter,bitter on her tongue, her…


  • SAY CHEESE

    The meeting drags on. Time is frozen. The space between a smile and a grimace is the edge of a fine blade and the width of a canyon. And you maintain the smile hoping it is not seen as the rictus you feel. Politeness requires a smile, your heart requires a fast escape. So you…


  • OF DREAMS

    I am now of an agewhere I can no longer rememberwhat terrors gripped my sonsin their dreams, causing themto appear beneath our blankets,I relegated to the bed’s edge. Perhaps there were noneand I was destined to bean edge sleeper, the boystaking advantage as a jokeplayed out night after night. I know what dreams nowcan rip…


  • HARLAN

    You came, Harlan, to Rochestersomewhere in an endless winter,“Ellison in Tundraland” you said.We all chuckled approvingly. You said a short prayerclimbing into the rusting Opel,sliding on the edgeof oblivion, andthe approaching snowplow. You stood, hoarse, smellingof Borkum Riff and English Leather,a tweed jacket over a polo shirtand thinning jeansand told us of the insanityof television,…


  • MELODY

    I sing a shattered songof someone else’s youththe melody forgottenthe words faded into oddsyllables heard in my dreams.The coyote stands at the edgeof a gully staring at meand wondering why I slipfrom the hogan throughthe hole punchedin the back wallslinking awayin the encroaching dark.The priest, his saffron robespulled tight around his legsin the morning chill,stares…


  • BALANCE

    It is a precarious balance, really, more and exercise in tottering and hearing than in standing still. Some prefer stasis, others, I included, find it leads inevitably to a loss of energy, to an entropy from which it is difficult to escape. I don’t walk along the edge of the precipice, but I do peer…


  • HIGH WIRE

    It is a precarious balance, really, more an exercise in tottering and hearing than in standing still. Some prefer stasis, others, I included, find that leads inevitably to a loss of energy, to an entropy from which it is difficult to escape. I don’t walk along the edge of the precipice, but I do. peer…


  • ON THE SEDGE

    My wife pauses by the placard in the nature preserve and tells me that what I have been calling grasses are in fact a sedge known as sawgrass. She points out the warning that it’s serrated on the edge and earned its name from those who grasped it without knowing or thinking first. I feign…


  • GYOZAN’S OBJECTS 鐵笛倒吹 二十七

    If a thousand objects are arrayed before you what will you do, what do you call them? A sphere has no edges, I can reach through a cloud. Why would I try to cut a moment in two, or stuff a cloud in my pocket. A reflection on Case 27 of the Iron Flute Koans