HEAVEN, ONLY SLIGHTLY OUT OF REACH

God is fixed in the firmament
seen as puppet master by some
patrician uncle, small child
endlessly shifting blocks
in new, transitory universes.
All things recede from a point,
have since the creation
and that point, dimensionless
is God, vast and infinite.
It swings lazily, back, forth
a needle in its cusp tracing
lines in the bed of sand
in constant motion as we
and earth, and all of our
universe spin slowly
around its focus, it swings
lazily back, forth, tracing
an ever-shifting path
marked in displaced sand
ponderous from its fine
steel tendril which rises
to a point without size,
shape, or time, frozen
a singularity from which
all else emanates. God lives, bat-like
on the ceiling of
the San Francisco Science Museum
and the Hayden Planetarium
and countless other buildings
given to science,
omnipresent yet fixed
dimensionless and infinite
always a ladder’s climb
just out of reach.

Published in The Raven’s Perch (August 3, 2020)
https://theravensperch.com/heaven-only-slightly-out-of-reach-by-louis-faber/

IN SEARCH

He’d been searching for ever,
or so often seemed, for no-self,
and he couldn’t fathom why it was so difficult
to attain simple absence, nothing
must be less than something, after all.
He knew, like Sisyphus, he would continue
to search until he succeeded, the gods
of his soul decreed it and you don’t fuck with them.
It was difficult recalling how much time
had been wasted in the search for mirrors
and when he found one, looked, there he was
selfsame, self-filled, and he imagined, selfish.
He took to always carrying a hand mirror
and when he thought he might have found it
he glanced at the polished surface in his hand
and there he’d still be, his endless self
older now, but there, very much still there.
One day, frustration getting the better of him
he wandered deep into a massive forest, hours later
sitting on a fallen trunk, he reached for his mirror, gone.
There was tree and sky and earth, that was all,
as night enveloped everything, even his no-self.

SETTLING

Settling into perfect
stillness, each of us
in our brown robes
on brown chairs, benches
cushions, note his entry
is somewhere between
the thundering of a forgotten
storm or the garbage trucks
crawling slowly down the street.
His gray-blue shirt and jeans
flash by. He is large
in every dimension,
even his breathing
nice and even
is large, but regular.
No breeze, only a large moth
comes through the open windows
and dances around
the rice paper light shades.
The incense hangs
over the burner on the altar
waiting to be carried into the room.
You return to thoughts
of thoughtlessness
invite ideas to come
and quickly leave.
You grow heavy
sinking into the earth
your weight and his
equally heavy.
The moth grows bored
and slips out the window.


First Published in Recenter Press Poetry Journal Vol. 2, Fall 2019
http://www.recenterpress.com/issue-two-fall-2019.html

ROSHI

To arise from the earth
is simple, too fall back
the more difficult, for
that is a journey we all
seem to fear, though
with no arising, there
can be no falling back.
When I finally admitted
that I feared dying and
didn’t want to be drafted
to fight in that war
Roshi asked me if I
feared being born.
“Fear,” he said, “takes
up all of your energy
and there is never
time enough for that.”

CHANGE

They lie in the field uprooted
slowly desicating in the harsh sun,
the fruit they might have borne
trapped in the dying flower, the seed
of another generation denied.
It was not supposed to be like this,
the sun should have fed them,
the soil nourished their souls,
their stalks growing thicker, drawing
ever more life from the earth..
But here they now lie, torn away
left to wither, and we mourn them,
and the loss of what might have been.
The question how we or those like us
could so callously disregard life,
and know that this part of our nature
will never be easily overcome.

INTO THE SOIL

When did we stop being of the soil
and begin to fear it, to tell our children
not to touch the ground, it is dirty when
once it was only dirt, and we
put it in our mouths, from time to time
trying to drive our mothers crazy.
She says if you are going to plant
wear gloves, and when she walks away
I pull them off of my hands and plunge
fingers into the turned and dampened soil.
This, I am convinced, is how it is
supposed to be, how nature intended,
before designer dyed mulch, rubber mulch,
before we became the robots
our parents’ sci-fi writers anticipated.
Later, in the shower, scraping the dirt
from beneath fingernails, I watch
as it flows reluctantly down the drain
I bid farewell to that bit of my childhood
but I swear I won’t deny my grandchildren.

INTO THE SOIL

She wants to know if I
want to her gloves while planting
so I don’t get dirt deep in my skin
and under my nails.
There is no way I can explain to her
there is a certain joy
in placing my fingers into
the just wet soil, in moving it
with my hands, squeezing
small clods of earth, watching
bits of soil fall away.
It is certainly dirty work
but I know that this
is as close as I can get
to the earth from which I came
without engaging in that
final, eternal intimacy.